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Gentle Giant Tour History
*** Part Seven ***
*** A Change of Direction ***
(mid 1977 - 1979)
new information will be in RED
The English music scene went through some radical changes in 1977, with the rise to prominence of punk rock. Progressive acts were quickly falling out of favor and found themselves under extreme pressure to simplify their music. John has claimed that Gentle Giant was being pressured by the record label to commercialize their music, while Derek has denied this. Ray stated at the time that he did want the band to make a bigger impact with radio listeners. There may have been a myriad of contributing factors but, whatever the reasons, the group did begin to write and record somewhat simpler music that year.
May ? Giant's ninth album, THE MISSING PIECE, was recorded at Relight Studios in Hilvarenbeek, Holland in relatively little time. One source has the dates of the recording sessions as May 6 - 16, while Gary remembers the group spending two weeks in Holland and Record World reported that the album was recorded in 12 days. On the album were the four songs they had debuted live earlier in the year, though Winning had been rearranged considerably. These were all in a fairly progressive style, but the album also contained a number of more mainstream rock songs which startlingly contrasted with their earlier material. Even though the band’s change in direction ultimately failed to have a huge commercial impact, this particular album was reported to have generated considerable sales on US college campuses.
June 17 Koln, Germany Mungersdorfer Stadion For unknown reasons, Giant canceled out of this stadium date the morning of the concert. It was billed as an “Open Air Festival” and Genesis was scheduled to headline. Four bands were booked and advertised as playing at this event with the German band Lake opening, Giant probably slated second, Manfred Mann's Earthband third, and finally Genesis. Since Giant did not play, a couple of the other bands simply extended their sets.
June 19 Offenbach, Germany Stadion am Bieberer Berg Sadly, Giant was again a no-show at this, another date of the German "Open Air Festival". The same four bands were booked as in Koln two nights earlier. After Lake finished their set on this night, an announcer took the stage and informed the crowd that Giant would not be appearing. No reason was given, but many in the crowd were disappointed. John Miles ended up playing, as a substitute act. As it turned out, it was a disappointing day for many, as it rained relentlessly. One source seems to recall a GG show with this same lineup of bands taking place in Munster, Germany, but Munster was not on Genesis' tour itinerary. No evidence has surfaced that Genesis and Giant ever played together at any other time, although John believes they may have. In fact, there are no indications of any other GG gigs at all in the summer of 1977.
Tickets for both canceled German “Open Air Festival” dates June 1977
Aug. 22 Evidence has come to light that Giant recorded one last BBC session that included new versions of Mountain Time and Who Do You Think You Are? Although it is not confirmed this session was ever actually broadcast, it was recorded on Aug. 22 for the radio program It’s DLT OK!. This afternoon program was hosted by famed BBC announcer Dave Lee Travis. It also appears the session still exists, as the BBC includes it in a catalog of audio materials available for licensing to international customers.
band once again took to the road in the fall for their MISSING PIECE
tour. First in Europe then followed by
TYPICAL SETLIST (Fall 1977)
Intro/Two Weeks in Spain - The recording of the final movement of Bach's Brandenburg Concerto #4 was again played before the show, this time leading into the intro tape used on the Fall 1975 tour. This, in turn, led into a prerecorded Spanish-flavored instrumental which was used as the intro for the opening song.
I'm Turning Around - Gary had designed some sort of slide presentation to go along with this number, but it proved too complex and did not come to fruition.
Just the Same/Playing the Game
Memories of Old Days - The keyboard Giant intro was deleted.
Betcha Thought We Couldn't Do It
Funny Ways - John still got to do his comedic introduction.
The Face - This was the new home for Ray's violin solo which, in turn, led directly into the 5-man drum bash. A small instrumental snippet of Plain Truth served as a bridge before and after the violin solo.
Excerpts from Octopus - still used as the encore. It was sometimes preceded by a short instrumental blues jam.
Mountain Time - This was frequently used as a second encore.
During performances on this tour, the band again utilized the neon "giant's head" that had been damaged once or twice during the early 1977 tour. Evidently, repairs had again brought it back to workable condition. Other new stage gimmicks were also put into play for this tour. One of the band's roadies, possibly the keyboard roadie, would don a rubbery Gentle Giant mask and walk around on stage, carrying a liquor jug. He supposedly also appeared behind John Weathers at one point, most likely and appropriately during the drum solo in The Face. It's also known that a film that made use of the same type of mask was shown during concerts at some point. In this film, made by a friend of Ray's, and now included as a bonus feature in the SCRAPING THE BARREL boxset, someone wearing the mask would appear to poke his head through a curtain and look down while pointing his finger. This film was also projected directly behind John, so as to make it appear that the mythical Giant was watching the drummer. The face would also turn and was timed so as to appear to stare at different band members at specific appropriate times. It’s believed this gimmick was used during this tour, though some evidence indicates it was also used in early 1977 and perhaps even earlier. It’s been said that, on this tour, the screens would turn blue during On Reflection and lights would twinkle around these screens, as also happened during the drum bash. According to one of the roadies at the time, the band’s projectionist left at some point during this tour, unfortunately bringing to an end their use of rear projection.
Aug. 26 THE MISSING PIECE album was officially announced to be released on this date in England. However, as was so often the case, the reality of what happened is not so straightforward. Very credible evidence points to the new album being available in some locations a few days to even two weeks earlier, even though Aug. 26 may have remained the official date of release. Older contrary evidence had indicated the album was actually pushed back until Sep. 16, although this now seems less believable. Whatever the case, it does seem clear that some fans were enjoying this new album as early as mid August.
Chrysalis promotional flyer with original UK release date of THE MISSING PIECE album 1977
a BBC Studio in
Sep. ? THE MISSING PIECE saw release in America during September. Cash Box gave a date of Sep. 12, although another source suggests it may have been delayed until Sep. 20.
Sep. ? Prior to the start of the
European tour, the group practiced for a week or two on the top floor of an
industrial building in
Cambrai ticket Sep. 26, 1977
Brussels poster Sep. 27, 1977
Sep. 28 Eindhoven, Holland Stadsschouwburg Next, GG played two concerts in Holland. Existing ticket stubs indicate there were support acts on both nights but do not give the names. An eyewitness remembers that at the soundcheck for this show, the band played the Derek and the Dominoes song, Layla. During the concert, GG played a tongue-in-cheek bit of a “new song”, consisting of nothing more than raucous noise. John then announced, in derogatory terms, that it was their latest "punk hit", thereby making fun of the new style of rock in vogue at the time.
Ad for Dutch concerts Sep. 1977
Sep. 29 Nijmegen, Holland De Vereeniging It's believed that Playing the Game was not performed on this night, for some reason.
Nijmegen ticket Sep. 29, 1977
Oct. 1 Hannover, Germany NDR-Sendesaal Giant did not get to complete their set on this occasion as someone called in a bomb scare, causing police to end the concert about a half hour early. Fortunately, after a search, no bomb was found. All six of the scheduled October German shows were advertised as including an unidentified opening act. However, nothing is known about the opener at this particular show and details are sketchy for the others.
Hannover bomb scare article Oct. 1, 1977
Oct. 2 Berlin, Germany Eissporthalle This date appeared on the band’s original itinerary but has only been recently confirmed.
Oct. 3 Offenbach, Germany Stadthalle This show was marred early on by technical difficulties, with Derek’s microphone cutting in and out and Kerry’s keyboards emitting an annoying electronic squeal. Eventually, the band and roadies managed to fix things, but only after Derek had knocked over Ray’s violin. For the remainder of the set, the acoustics were not ideal, but the fairly rowdy crowd seemed appreciative, nonetheless. One attendee at this gig is not sure there was any opening act at all.
Offenbach - includes roadie in rubber Giant mask behind screen Oct. 3, 1977
Oct. 4 Munich, Germany Circus Krone Building A capacity crowd of about 3,000 listeners were in attendance. One of them remembers a three man bluegrass band opening.
Munich Oct. 4, 1977
Oct. 5 Heidelberg, Germany Stadthalle A tape exists of this concert. A crowd of around 1,500 was in attendance, making the show nearly sold out. On this occasion, a fan remembers a lone singer/acoustic guitar player opening the show.
Heidelberg poster Oct. 5, 1977
Oct. 6 Koln, Germany Sporthalle Here, an audience member recalls a two-man folk act by the name of Itchyfoot opening the show.
Zurich flyer Oct. 7, 1977
Oct. 8 Basel, Switzerland Festsaal Mustermesse Two separate tapes, made by different members of the audience, are known to exist, although only one is available to collectors. During John's Funny Ways intro, he invited a fan named Freddy onstage with him and proceeded to comment on the fan's tee-shirt.
Oct. 10 Lugano, Switzerland Palazzetto dello Sport Flyers from this show announced that there would be an opening act but did not specify who.
Lugano flyer Oct. 10, 1977
Oct. ? Essen, Germany There was possibly a show in Essen during the first half of October, though it is not certain. Such a show was not on the originally advertised schedule. The Grugahalle would have been the most logical choice of venue, but they have no record of a 1977 GG concert there, although they admit their records are incomplete.
Oct. ? On either Oct. 21 or Oct. 28, the
group released its second compilation album, entitled PRETENTIOUS - FOR THE
SAKE OF IT. Oddly enough, it covered
material from the band's first six studio albums, just like the 1975 GIANT
STEPS album had. In fact, some songs
appeared on both albums. Like that
previous compilation album, this one was released in
late 1977 North American tour seems to be another one in which dates were
announced, switched and rearranged several times before being finalized. Clarification is still needed in a few
instances. For their support slot, Giant
made the unusual move of choosing the U.K. punk/pub rock band Dr. Feelgood, a band which Derek claimed to admire. Although gaining widespread popularity in
Record World ad for North American tour late 1977
??? Portland, Oregon A show in Portland was supposedly canceled due to poor ticket sales, but it is unconfirmed that there ever was a show scheduled here, since the known dates from this North American tour are all in the eastern and midwestern portions of the continent.
Oct. 28 Blue Bell, Pennsylvania Montgomery County Community College At this college just outside of Philadelphia, the band played in a theater which doubles as a Science lecture hall. The size of the crowd is the subject of conflicting reports. 900 tickets were put on sale, with the college’s student newspaper reporting a “near-capacity” crowd. Another report has only 400-500 originally attending, with many of them leaving before the show even started, due to the fact that the band was running quite late. The trucks with their equipment had accidentally gone to a town called Blue Ball in the Amish part of Pennsylvania. After finally arriving in Blue Bell, the band rushed through a hasty soundcheck held behind closed doors while the audience members listened in. The show itself, originally scheduled to start at 8:00, finally got underway around 10:30. The band did not use its own lighting equipment, relying instead upon the theater's own minimal lighting and the normal fluorescent lights present in the lecture hall. No spotlights were used. According to one eyewitness, the group, playing on a very low stage close to the audience, had a bit of trouble getting themselves together at the beginning of the show, but had things running smoothly after a while, with the exception of periodic audio glitches here and there. Nonetheless, the audience was very appreciative, giving the band numerous standing ovations. Dr. Feelgood was supposed to play in support but they did not, for unknown reasons.
Blue Bell - ad and yearbook photos Oct. 28, 1977
Oct. 29 Upper Darby, Pennsylvania Tower Theater About 2,800 tickets were sold in this 4000 seat theater. Dr. Feelgood did open this show and a number of their fans were seated up front and left before Giant took the stage, thus allowing more of Giant’s fans to move forward. Other fans in attendance disagree on how well Dr. Feelgood was received, reports ranging from polite acceptance to downright intolerance. During the GG set, John wore a Philadelphia Flyers hockey jersey which Derek mistakenly referred to as being from the Philadelphia Eagles, the local football team. Many audience members tried to correct him. Later, while up front for his comedy bit, John picked up on the mistake and corrected it himself in a fit of hysterics. At this time, he also commented on what he believed to be a meager crowd by asking, “where is everybody, home watching Kojak or something?”, referring to a popular television show. It’s been hypothesized that the lights in his eyes made it difficult for him to see the true size of the crowd. Still, he did thank the audience for what he claimed was one of the band’s best receptions in a while, especially after what he described as a cold reception on their German dates earlier in the month. During the violin solo, screaming again erupted from some in the audience. Ray turned his back on them while playing, causing much applause from the rest of the crowd. The band's soundman had several problems on this evening. For one thing, the quadraphonic effects during Ray's solo were not functioning. As another example, Kerry's microphone was not working during a recorder section. Oddly, one newspaper review portrayed Giant as a totally unknown band, even though this was not the first time they had headlined there. The reviewer did think they had a chance for a successful future, pointing out the audience’s call for two encores. A tape exists of this show, as supposedly does a small portion of silent 8mm film.
Upper Darby Oct. 29, 1977
Oct 30 Guelph,
of Guelph - Athletic Centre Dr.
Feelgood was originally scheduled to open this show,
but the opener was changed to a band called
Guelph Oct. 30, 1977
Nov. 1 Montreal, Quebec Montreal Forum This time, rock legend John Mayall was the opening act and was very well received by the appreciative audience. On a tape that exists of this gig, Ray can be heard having equipment problems during his violin solo in The Face. The Forum was set up in “Concert Bowl” formation, which meant only half the facility was in use, with a curtain drawn across the middle. There were about 6,000 people in the crowd. Apparently, this gig was originally scheduled to take place on Oct. 31 with Dr. Feelgood again playing in support. Gary, who grew up with an appreciation for the music of John Mayall, has commented that he thought it backwards that such a blues legend should have opened for Giant. In its review, Le Devoir agreed with Gary as to Mayall’s higher standing, while finding Giant uninspired and boring. On the other hand, the review in Post Script was absolutely giddy in its amazement at GG’s wonderful performance. While in town, the band purchased three acoustic guitars from up and coming Quebec area guitar maker Normand Boucher. They then thanked his company Norman Guitars on the sleeve of their GIANT FOR A DAY album.
Montreal ad Nov. 1, 1977
Nov. 2 Waterloo, Ontario Waterloo University - Physical Activity Complex This venue seated 5,000, but the concert was canceled, due to only 200 tickets being sold. One student attending the University at the time suspects poor promotion played a hand in this but, whatever the case, it was an unusual occurrence for the band in Canada, where they were enormously popular. However, a possible explanation could be the fact that Waterloo, where this Wednesday night concert was scheduled, is only about a half hour from Guelph, where the group performed just three nights earlier. Giant still apparently received a $3,000 cancellation fee out of a $5,000 plus percentage contract. The University ended up losing $4,500 total. The opener was again supposed to be Dr. Feelgood along with a local Ontario band called Rose.
Waterloo - ad and eventual cancellation Nov. 2, 1977
Buffalo ad and ticket Nov. 4, 1977
Nov. 5 New York, New York Palladium The Palladium was the renamed Academy of Music. Dr. Feelgood and Crawler were the openers with Dr. Feelgood once again booed off the stage. This was mentioned in a Billboard review, as well as one in the Daily News which praised Dr. Feelgood and took the audience to task for their harsh, unfair treatment. Giant started their set late, beginning with a slight glitch in their intro tape, causing the band to lurch in a couple beats early. On an existing tape of this gig, Derek can be heard trying to defend the openers, joking onstage something to the effect of "back in England, we open for them”. As it turned out, GG also had to endure more than the usual amount of rude behavior from the particularly noisy crowd. For some reason, Ray's violin solo on this night was extremely slow and plodding, almost sounding like an attempt to purposely frustrate the audience. One member of the crowd did apparently get frustrated, yelling out "you suck!" Ray remembers this exact same thing occurring at this same venue on Jan. 18, 1975. More technical problems caused a delay before Funny Ways. Because of this, John's spoken introduction to the song was quite long, and included a humorous story based on Preparation H, the hemorrhoid medicine John frequently joked about at this point in the show. He also made his own commentary on how noisy the crowd was and their tendency to boo. All this talk further frustrated some impatient members of the audience. One person repeatedly interrupted by yelling out the song title. Finally, in exasperation, John yelled back, "up yours!" However, all was soon forgiven as Kerry’s vibraphone solo during that number’s solo garnered some of the heaviest applause of the evening. In fact, one fan recalls the crowd enthusiastically cheering the older numbers while giving only a lukewarm reception to the newer songs. During On Reflection, while the band sang “all around, all around, all around”, the rear speakers came on, creating a quadraphonic effect similar to that used during Ray’s violin solo. One fan in the balcony remembers many sitting there being greatly amused by this effect. Ever since the band’s early days, Derek was known for conducting the instrumental bits with his waving arms. On this night, he is remembered for standing next to Kerry during his Just the Same solo and imitating his double keyboard playing. Then, while introducing the band members, Derek actually referred to himself as Simon Dupree. A second audience recording, taped by someone else, has also surfaced. It includes John’s Funny Ways introduction which is absent from the first tape.
New York’s Palladium - press notice Nov. 5, 1977
Nov. 6 New Paltz, New York New Paltz College - Elting Gym Dr. Feelgood opened this general admission show and was greeted with more booing. However, this same crowd was reportedly enraptured with Giant, responding with "ooh"s and "aah"s after many of the songs. The sound quality at this show was supposedly excellent, no small feat considering it took place in a gymnasium. This gig was mentioned in the 2007 book Secrets of the Mysterious Valley, in which author Christopher O’Brien recounts his experiences attending the show. He got the date wrong in the book but he did enjoy the show tremendously, although he was a bit puzzled by John’s hemorrhoid jokes during the intro to Funny Ways. Another source recounts how John also joked about the small town they were in, describing it as "New Paltz - 5,000 bars and a Post Office!" Originally, notices in the press wrongly listed this venue as New York University in New York City.
New Paltz poster Nov. 6, 1977
Nov. 9 Ellicott City, Maryland Hollywood Palace Originally, the band was scheduled to play in nearby Washington D.C at Warner Theater on this night with Dr. Feelgood, but that was canceled. It was rescheduled for the Hollywood Palace where a band called Source was the opening act. Source, who were just beginning a five day stint at the club, were a disco oriented group with a horn section and they were not well received by the Giant crowd.
Nov. 10 Bailey's Crossroads, Virginia Louie's Rock City A pomp/prog band called Face Dancer opened this show, followed by Dr. Feelgood who had to endure yet more booing. At one point, Dr. Feelgood’s lead singer, frustrated at the crowd’s clamoring for the headliners, yelled out, “you’ll get your bloody Giant!” Even when Giant took the stage, the crowd continued to be a bit on the rowdy side. Originally, GG planned to play at the Warner Theater in downtown Washington D.C. on this evening but ended up at this nearby club instead. Louie’s Rock City was a fairly large club seating 700 and it was sold out for this concert. There is a small dance floor directly in front of the stage and some patrons were making use of it during the evening. Gary commented later that it was the first time the band had played for a dancing audience. An incomplete tape of the show exists, recorded directly from the mixing desk, probably by an employee of the club. A second incomplete tape has also surfaced, this time recorded by a member of the audience. This second tape, although quite short, does include a little music not present on the first recording. It also shows Ray running his distorted voice through his quadrophonic speaker system during his The Face violin solo. It has been said that the group pulled out a song from IN A GLASS HOUSE for a surprise final encore at the very end of the night, dedicating it to a friend in the crowd who had been clamoring for it. Unfortunately, neither incomplete recording sheds any light on this claim.
Bailey’s Crossroads ad and ticket Nov. 10, 1977
Nov. 11 Boston, Massachusetts Paradise Theatre This was a very small club near Boston University. Although originally scheduled to play in Boston only on Nov. 11, GG ended up playing three consecutive nights at this venue. Dr. Feelgood opened on this first night and was again booed off the stage about twenty minutes into their set, after spitting on the front tables and being pelted with ice cubes from the audience. In fact, the entire crowd was described as a bit "raucous", even during Giant's set. At one of these three nights at the Paradise, Gary is known to have commented about the initials DVS that Derek had sewn into the white jumpsuit he wore on stage. Pronouncing it as “devious”, Gary joked that it showed Derek’s true nature.
Nov. 12 Boston, Massachusetts Paradise Theatre A tape exists from this second of the three Boston performances. At one point, Derek mistakenly referred to the venue as the Orpheum, though it was definitely the Paradise. Derek also commented during this show that the band was playing without its usual stage setups, projection screens, etc. More than likely, this was the case at all three of the Paradise shows. It's unknown if the band downsized their stage show at other club dates in late 1977. Dr. Feelgood again opened the show.
Nov. 13 Boston, Massachusetts Paradise Theatre A heckler in the crowd tried to give Derek a hard time at the beginning, but the band didn't seem to let it affect their performance. A tape exists of this evening's performance, also. Like on the previous two nights in Boston, Dr. Feelgood was the opening act.
Boston - backstage pass for all three gigs Nov. 1977
Nov. 15 Cleveland, Ohio Agora Ballroom This gig was sponsored by Cleveland's WMMS Radio as part of their Night Out series and was recorded by the station. It was broadcast in an edited form, probably a few days later, but exactly when is unknown. During Betcha Thought We Couldn’t Do It, John broke the head of his snare drum. At the conclusion of the song, he pretended to cry while yelling out what had happened. The head had to be replaced during his comic speech that followed. During the second half of the concert, one overzealous fan repeatedly yelled out at the top of his lungs for the band to play Knots. He finally got his wish by the first encore. A tape of the complete performance, recorded by a fan in the audience, also exists, showing that John actually sang during the blues intro to Excerpts from Octopus, although this was not part of the radio broadcast. Dr. Feelgood was scheduled to open but did not. Instead, a guitarist from Cincinnati named Sandy Nassan played in the support slot. The entire radio broadcast appeared officially on THE MISSING FACE released by Glass House in 2002. For Nobody from this radio broadcast also appeared as a bonus track on the 2005 MISSING PIECE 35th anniversary CD reissue. The entire broadcast was again officially released on the 2013 MEMORIES OF OLD DAYS compilation.
Cleveland ad and ticket Nov. 15, 1977
Nov. 17 Asbury Park, New Jersey Convention Centre - Paramount Theater The Paramount was a grand movie theater from the 1920’s. This was the first gig after Dr. Feelgood left the tour. Taking their place as openers was a funk/rock quintet called Law. Two separate fans have recalled that the show was not well attended, possibly due to a bad rainstorm that took place on that day. A fan at the show had some sort of big, home-made green flag, possibly with a MISSING PIECE design, and John ended up with this flag, waving it around the stage. Reportedly, much of this tourist town was shut down for the upcoming winter and even the roadies were forced to stay in a run-down hotel and had trouble finding a decent restaurant. Originally, the band planned on performing at the Capitol Theater in Passaic, New Jersey before switching to Asbury Park.
Asbury Park backstage pass Nov. 17, 1977
Nov. 18 Chester, Pennsylvania Widener College - Schwartz Physical Education Center A soundboard recording of this show is known to exist in a band member’s possession. On this night, Dr. Feelgood’s replacement as opener was a band called Baby Grand, which later evolved into the Hooters. At this concert, all who brought canned goods with them to be donated to the local Salvation Army charity drive received a discount on the admission price. During the acoustic guitar portion of Excerpts from Octopus, Gary played a small bit of Peel the Paint several times, while teasing the audience to guess its title. During John’s vibraphone playing, one fan recalls him acting the wild man and repeatedly raving at the crowd. In fact, while John was singing at the vibraphone during On Reflection, a few eager fans playfully tried to distract him. In retaliation, he spit beer at the offending fans before laughing maniacally and running back to his drum kit. The rest of the crowd was certainly receptive enough and quite polite, remaining seated the entire time. This allowed one member of the audience to repeatedly run to the front, camera in hand, to take a series of close-up photos. In several of them, it is revealed that Derek not only dressed in his legendary white jumpsuit, but was also not above occasionally unbuttoning it down to his navel, making quite the fashion statement. Although held in the University’s gymnasium, the sound quality on this night was fairly decent, due to the band’s hanging huge black curtains all around the room.
Chester - Derek Shulman’s jumpsuit and newspaper photo Nov. 18, 1977
Nov. 20 Chicago, Illinois Uptown Theater Law again played support. In an interview before the show, Gary
professed anger at the intolerance Giant fans had shown towards Dr. Feelgood and other opening acts on many stops of this
tour. According to one eyewitness, the
audience on this night was very well-dressed and mostly well-behaved, more
resembling a classical audience, at least during Giant's set. Reportedly, though, the crowd did boo a bit
during Bethcha Thought We
Couldn't Do It. Another
uncomfortable moment came when, during a quiet guitar section, an unruly
audience member near the front loudly voiced his impatience by yelling out “do
it, you jerk!”.
Nov. 21 Stevens Point, Wisconsin University of Wisconsin - Quandt Fieldhouse Law was the opening band. The University’s Athletic Department sponsored the concert as a fundraising event. Fortunately, even though only 475 were in attendance out of 4,000 available seats, the Athletic Department received an up-front fee while the promoters had to absorb the financial loss. The concert was about 35 minutes late beginning and the interval between acts was lengthy because of electrical issues.
Stevens Point - ad and unflattering captions Nov. 21, 1977
Nov. 22 Milwaukee, Wisconsin Oriental Landmark Theater It had been believed this very interesting show was changed to Dec. 3, but it did occur on Nov. 22, as originally scheduled. Although some reports claimed there was no opener, Law did again play support. A review in the Milwaukee Sentinel stated that, although Giant’s quieter numbers could be heard with clarity in the venue, louder pieces were quite distorted. One person in the audience at the show managed to get Derek's attention by constantly yelling out for the band to play the Allman Brothers' Whipping Post. While singing I'm Turning Around, Derek had money pinned to his clothing. When he reached the line, "where's the love that you once promised?”, he tore off a bill and sang to it, eliciting a chuckle from the audience. It’s interesting to note that there are two separate reports that the band played Who Do You Think You Are? during the show, which can be added to the same rumor from the night before. If these reports are true, it would have made for quite an unusual occurrence, as that song is not confirmed to ever have turned up in any other concert. Whatever the case, it is known that the band did perform a snippet of the Abba tune, Money, Money, Money at one point during this concert. They did occasionally play Abba music during their soundchecks, Abba being a band at least a couple band members professed to admiring. Since this was the final gig of the tour, the band handed out prizes to the roadies during the show, an event which Derek has since recalled with embarrassment. Also, towards the end of the show, John made fun of Milwaukee’s heritage as a beer-producing capital, claiming American beer to be substandard, compared to British beer. To drive home his point, he walked right into the audience handing out bottles of Guinness Extra Stout. This show was held in a 2,100 seat theater, but had an actual attendance of only around 800. This was the only Milwaukee show GG ever headlined.
Milwaukee - ads with incorrect and correct opening act Nov. 22, 1977
The BBC filmed Giant at the Golders Green Hippodrome in Golders
Jan. 21 The BBC Sight and Sound TV program, filmed on Jan. 5, was broadcast on BBC 2, introduced by Pete Drummond. It was also simulcast on Radio 1 in both quadrophonic and compatible stereo, the only episode at the time to be offered in quadrophonic. This concert holds the distinction of appearing on more official releases than any other Gentle Giant show. Most of this performance appears on the 1994 IN CONCERT album, while all of it is included on OUT OF THE FIRE and again in the MEMORIES OF OLD DAYS compilation. The entire performance appears yet again, in both audio and video formats, on the GG AT THE GG DVD where it can be accompanied by a commentary track by all five band members.
BBC “Sight and Sound” - TV listing, radio listing and title page Jan. 21, 1978
Apr. - May The band continued its musical redirection by recording its tenth album, GIANT FOR A DAY, mostly at Ramport Studios in Battersea, England, though parts were done at Maison Rouge Studio and Scorpio Sound. The album featured more straight-ahead rock songs, and many today consider the album somewhat of a failure.
Aug. 19 The audio from the BBC Sight and Sound TV program, recorded in Golders Green on Jan 5, was rebroadcast on Radio 1’s In Concert program, this time introduced by Brian Matthew instead of Pete Drummond who had appeared on the original Jan. 21 broadcast. The video portion was not rerun on BBC television at this time, while the audio was aired in a slightly different edited form, with a different running order and omitting Funny Ways. This rearranged version of the performance had been issued on a BBC Transcription Disc in April and that disc is what was used for this broadcast. This same version of the show is also what was used to create the band’s IN CONCERT album in 1994. Versions of this concert continue to appear on various BBC rebroadcasts to this day, and the entire film was even rebroadcast on Australian TV on January 5, 1981. Additionally, it’s rumored that the audio may have turned up on American FM radio, possibly on the BBC Rock Hour, at some unknown time.
BBC “In Concert” radio listing Aug. 19, 1978
Sep. ? The GIANT FOR A DAY album was released in America, possibly on Sep. 11.
GIANT FOR A DAY - record store ad and West Hollywood billboard late 1978
Sep. 29 It seems fairly reliable that GIANT FOR A DAY was released in England on this date.
group made lip-synched promotional films at Capitol Studios in
the first time, the band organized no tour in support of their current album.
Instead, they decided to take a long overdue break from live appearances, not
performing live at all for most of 1978, all of 1979, and the first few months
of 1980. Some promoters had made offers
of tours, including one in
??? The date is not known, but one or more of the band’s lip-synched promotional films from the GIANT FOR A DAY album were shown on Osaka TV in Japan in either 1978 or 1979.
??? An unconfirmed report has Giant For a Day and Words From the Wise appearing on Dick Clark’s American Bandstand program in America in either 1978 or 1979. This was a well-known Saturday morning dance program with definite pop leanings. The most startling thing about this alleged appearance is that, although the promotional film of Giant For a Day was said to be shown, the film of Words From the Wise was not. For that song, the band is said to have actually appeared in person on the program miming to the studio recording. No corroborating evidence of this Bandstand appearance has yet been found.
May 5 The promotional films for the songs Giant For a Day and Words From the Wise were definitely broadcast on this date on the NBC TV program, Don Kirschner's Rock Concert. It’s been said that this was actually a rebroadcast from an earlier Don Kirchner episode back in February, but this is probably not the case. Other acts on this same May broadcast included the Village People, Jan and Dean, Joan Armatrading and Leo Sayer. The film of Thank You does not appear to have been shown.
Complete lineup of Don Kirschner’s Rock Concert episode May 5, 1979
Mid 1979 John wrote and recorded a demo of the song You Haven't a Chance for possible inclusion on the band's next album. This did not come about, but the song finally appeared on the UNDER CONSTRUCTION album.
some point in 1979, the band held some rehearsals in
Aug. - Nov. After
as many as nine months of songwriting and rehearsal, the group's eleventh and
final album, CIVILIAN, was recorded mostly at Sound City in Van Nuys,
California, with some overdubs at Bijou Studio in West Hollywood, California
and Wessex Studio in London, England. By this time, their musical change of style
was complete. The songs they included on
this album bore little resemblance to the progressive body of work they had
produced earlier. Although the recording
of this album was spread out over a few months, the group's total amount of
time in the studio was actually quite limited.
It is also known that the band spent about five months together living
Go on to Part Eight
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