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Gentle Giant Tour History
*** Part Six ***
*** Still Plugging Away ***
(1976 - early 1977)
new information will be in RED
After the success of FREE HAND, Giant felt poised to continue their commercial ascent. However, things did not go as smoothly as they would have liked. They kept on working and touring hard around the world, but they made no new headway and their rise more or less leveled off. Their star did not dim, but neither did it glow brighter.
Jan. ? A
slightly edited version of the
Feb. - Mar. The
band's eighth album, INTERVIEW, was recorded at Advision Studios in
Apr. 24 The group made lip-synched promotional films for the title song, Interview, plus the songs Give It Back and I Lost My Head from the INTERVIEW album. Contrary to earlier reports that these were made in Hannover, Germany, these were actually filmed at ITN House, a studio belonging to a major British news organization in London. All three films are now available on the GG AT THE GG DVD.
the early spring of 1976, Gentle Giant put on an undetermined number of shows in
Europe, but nothing is known about them.
There were probably very few, though.
For one thing, Gary Green was married on April 14. After Europe, they returned right back to
the U.K. again at the very end of April but they had, by now, become very disillusioned
with the lack of progress they were making there, and it proved to be their
last tour of their native land. From
that point on, they decided to concentrate their live efforts in Europe and
North America. No live 1976 recordings
before early June have yet surfaced, but the setlist used during this time
period has been confirmed. They debuted
some material from their new album, but the biggest surprise was the deletion
TYPICAL SETLIST (Spring 1976)
Intro/Just the Same - The opening song was preceded by yet another prerecorded instrumental intro. This intro appears on UNDER CONSTRUCTION, with the title Intro 76.
Proclamation/Valedictory - Proclamation was played in a slightly different arrangement that concluded with the tail end of Valedictory.
Interview - This one began with the "interviewer" recording taken from the beginning of the new album. The voice was that of Melody Maker writer Chris Welch.
Excerpts from Octopus
Give It Back - This tribute to reggae music was reportedly put into the set specifically to replace Funny Ways, of which the band had grown tired. Like Funny Ways, the live arrangement of this song included a solo on vibraphone by Kerry.
Timing - the new home for Ray's violin solo
Peel the Paint/I Lost My Head - It’s not been confirmed, but there’s a possibility that the entire I Lost My Head may have been performed as the encore in the UK in late April and May. However, at least by the Italian dates in late May, this mini-medley was the encore with only the second half of I Lost My Head being included.
Apr. 23 Various notices in the UK press
originally had the date for the English release of the INTERVIEW album
as being April 30, with one source listing a date of May 2. However, it was pushed forward to Apr. 23,
possibly to precede the start of the
Chrysalis promotional window sticker with UK tour dates Spring 1976
Apr. 29 Derby, England King's Hall This was, at one time, intended as the first gig of the UK tour with Solution scheduled to open. However, the gig was cancelled for unknown reasons.
Apr. 30 Cambridge, England Corn Exchange Solution opened the show and one fan in attendance believes Giant opened their set with Proclamation. Although Apr. 30 is the Cambridge date listed in the band’s UK tour program and in other sources, there are several eyewitnesses who swear that this show actually took place after the May 1 Southend-on-Sea show, but the Apr. 30 date seems definitive. It was a Friday and that is the only day of the week the Corn Exchange hosted concerts. The rest of the week, it served as a roller skating rink.
Cambridge flyer Apr. 30, 1976
May 2 London, England Drury Lane - Theatre Royal Solution opened this show. Sounds published a review of the show in which they used the line “Gentle Giant is a band that’s going to magnetize”, ironic when considering the hall on this evening was only a third full. This line was later quoted in some of the band’s advertisements in the English music press. During the concert, the band jokingly alluded to another Sounds article in which John Weathers had apparently been elevated to the status of a ”sex symbol”.
May 4 It's believed that this is the date INTERVIEW was released in America.
May 8 Malvern, England Winter Gardens This was a multi-purpose venue rather than an actual concert hall. Therefore, the audience stood for the entire performance, there being virtually no chairs. Because of this, the crowd was quite noisy. Solution opened the show.
Malvern - unusual advance sale ticket May 8, 1976
May 10 Oxford, England New Theatre Solution opened this show, which was definitely not full.
May 11 Manchester, England Palace Theatre There was no GG concert held here on this night. However, there may have originally been one scheduled, with Solution set to open. This would have been along with, or instead of, the second Manchester appearance at a different venue the following night. Although a gig at the Palace did not take place, a photograph of the venue was used for the cover of the band's 1977 live album, PLAYING THE FOOL.
May 12 Manchester, England Free Trade Hall This gig definitely did take place, with Solution opening. BBC personality Stuart Maconie was at this concert and claims that Derek introduced the band as Led Zeppelin. Sadly, Ray’s violin solo was cut short due to some electrical glitch. A roadie actually brought Ray a screwdriver on stage, but to no avail. Attendance was poor, a fan at the show recalling there being numerous empty seats. This venue is today an upscale hotel.
May 13 Sheffield, England City Hall During Interview, the title song to the new album, Derek's microphone failed, so the song ended up being mostly an instrumental. One fan recalls them possibly playing Empty City, although this is unconfirmed. Solution was again the opening act. The City Hall was barely half full on this evening, pointing out once again the trouble Giant had gaining any real commercial success in the UK.
May 15 Edinburgh, Scotland Usher Hall Solution opened the show.
Edinburgh ticket May 15, 1976
May 17 Southampton, England Gaumont Theatre At this 1500 seat theatre, Solution was scheduled to open again, but did not. Instead, the New Zealand band Split Enz opened the show, this being their very first UK gig. In fact, they were introduced from the stage as having “just gotten off the boat.” After a slow start, this support act ended up being very well received, even though they had a problem with persistent feedback from the piano microphone. Nevertheless, Giant was impressed with the Split Enz set and subsequently lent a hand in helping them secure their UK record deal with Chrysalis Records. One published Split Enz source describes this gig as some sort of Chrysalis showcase event, perhaps implying personnel from Chrysalis were present to see the openers.
May 21 Breda, Holland Turfschip Dutch band Kayak was the opening band. They were also one of the support bands on Giant’s previous visit to this venue on May 5, 1974.
May 22 Delft, Holland Stadion DHC GG participated in an open-air event advertised as the "Oor Festival" or as “Popfestival 76”. This all day concert was billed as including between nine and eleven hours of music and took place in a large venue capable of holding more than 10,000, although it’s not known how many actually attended. Others sharing the stage with Giant included 10cc, Nils Lofgren and an English comedy rock band called Alberto y los Trios Paranoias. One fan reports there were some technical problems with GG's sound this night. Press reviews for GG’s performance were mixed, with one newspaper singling them out as the highlight of the festival, while another believed that the subtleties of the band’s music were lost in an outdoor stadium, being better suited to an indoor venue.
Delft ad May 22, 1976
May 25 Lille, France Le Palais Rameau A fan joked that this show was played "in a glass house", since the building had lots of windows. The sound at the show was described as "church-like".
Lille May 25, 1976
May 26 Lyon, France Bourse du Travail originally scheduled for May 28 but moved ahead two days
May 27 Grenoble, France La Patinoire de Grenoble This concert, the only one the band ever staged in Grenoble, was held in the smaller of two skating rinks used for that city’s hosting of the 1968 Winter Olympics. This particular rink, with a seating capacity of 3000 - 4000 spectators, had no official name, being simply known in the area as La Patinoire de Grenoble, translated as “the Skating Rink of Grenoble”. About 2000 to 3000 fans enjoyed the concert, although it was raining outside that evening. One fan in attendance seems to think there may have been no support act.
May 29 Bordeaux, France Theatre de 'Alhambra The May 1976 issue of Best Magazine announced this gig as May 28, but other sources and an existing ticket stub prove the date was May 29.
??? Copenhagen, Denmark Hard Rock Cafe A show was scheduled here probably in May, but possibly sometime in April. It was cancelled because the stage was too small. The venue may be incorrect.
following few dates were scheduled in
Italian tour ad May - June 1976
May 31 Torino, Italy Pallazzo dello Sport Attendance was reported as 5000. There is a rumor that a tape of this concert may exist.
June 1 Brescia, Italy Pallazzo dello Sport
June 2 Milan, Italy Paladido This show is known to have been cancelled.
June 2 Italian television broadcast a segment on Gentle Giant during their TV dei Ragazzi program. This program was geared towards young people and featured family fare, cartoons and some popular music performers of the day. The segment on Giant was entitled Baroque n’ Roll and showed the band doing a live performance of Excerpts from Octopus filmed at the Mar. 16 London concert, but it also included interviews with all five band members, complete with an Italian translator. It is unknown when or where this interview was filmed, though John Weathers can be heard stating that he had been in the band for "three years." This would imply that, unlike the live music, the interview was filmed sometime during the first half of 1975. The segment was broadcast in black and white in Italy, even though the same footage was shown in color at other times in England and Germany. Baroque n’ Roll now appears on the official GIANT ON THE BOX DVD.
Italian “Baroque and Roll” TV listing June 2, 1976
June 3 Cantu’, Italy Pallazzo dello Sport
June 4 Reggio
June 5 Rimini, Italy L’Altro Mondo . An existing tape of this concert documents an enthusiastic crowd watching the band play an equally enthusiastic show. Ray got into another of his shouting matches with the audience during his Timing violin solo, while John playfully interacted with the audience frequently, even leading them in a short chant before bringing the band into the song Free Hand. On this night, John was introduced as “Giovanni Catastrophe” while Derek introduced himself as his old friend Elton John. Elton had briefly played with Simon Dupree back in 1967 while still going by his given name of Reginald Dwight. A professional Italian bass player named Tiziano Ricci recalls his band Bingo opening for Giant at this gig.
June 7 Rome, Italy Palazzo dello Sport The band graciously donated their profits from this concert to relief efforts for recent earthquake victims in the Friuli region of northeast Italy.
Rome ticket June 7, 1976
The Bicentennial summer of 1976 found the band on tour in North America, a tour which, judging from early promotional material, underwent a number of date and venue adjustments before being finalized. Although they did headline some gigs, they still had to play a support role part of the time. During some huge stadium dates with Yes, they sometimes had to appear third or fourth on the bill. How well GG was accepted by the crowds at these stadium dates is in question. A number of reports have surfaced saying that there was much indifference and even booing at some of these shows. It is difficult to ascertain the truth in this matter but with the huge numbers in attendance, it is indeed possible, even likely, that segments of the audience did not appreciate Giant. It must also be remembered that Peter Frampton, who shared some of these bills, was riding a massive wave of commercial popularity at this time. It is reasonable to assume that large numbers of fans were not present to hear the progressive rock of Yes or Gentle Giant. These legions of Frampton fans may have had different musical tastes and this could explain the indifference found in areas around the venues. Logically, one could also assume that the progressive Yes/GG fans probably behaved similarly during Frampton’s set.
JEM Import Company flyer with North American tour dates Summer 1976
TYPICAL SETLIST (Mid 1976)
Intro/Just the Same - The Intro 76 prerecorded tape was still used to start the evening, but a portion of the album version of the song Talybont from FREE HAND was also played before the concert began.
Excerpts from Octopus
Give It Back - played sporadically until late July, when it was dropped for good, never to return
Free Hand - During the first few weeks of the North American tour, many shows ended with this song, with no encore following.
Peel the Paint/I Lost My Head - This mini-medley was played as an encore at some shows during the first weeks of the tour, but more consistently by late July, after Give It Back was dropped.
Upper Darby June 17, 1976
June 18 New York, New York Central Park - Wollman Rink This was a general admission concert at an outdoor venue. It was part of Central Park's annual “Shaeffer Music Festival”, a series of summer concerts sponsored by Shaeffer Beer. Prior to the show, John Weathers was seen running down the line of people waiting to get in, eliciting much applause. Starcastle was the opening act and there are conflicting reports as to how enthusiastically they were received. The New York Times reviewer believed Starcastle was as well accepted by the audience as was Giant and had more rhythmic drive to their music than did the headliners. A tape of Giant’s full set exists. On this night, Derek introduced himself as Barry Manilow. One spectator in attendance recalls a humorous moment as the band members slammed into each other as they rushed to switch instruments during one of the songs. Reportedly, the PA system was a bit underpowered for this particular venue and there were several equipment problems during the show. For instance, there was a small glitch with the “coin spin” tape used to introduce Excerpts from Octopus. In the encore slot was the Peel the Paint/I Lost My Head mini-medley, not a common occurrence this early in the North American tour. Although it ended up not being needed, ticket purchasers were informed that June 20 was set aside as a rain date.
New York - “Shaeffer Music Festival” June 18, 1976
June 19 Ellicott City, Maryland Hollywood Palace The rumor once was that a local pop group by the name of the Pez Band may have opened, as they often served as a house band for other events at the venue. However, multiple reports have Giant playing alone on this particular night. It's been said that this venue, just outside Baltimore, was really far from being a "palace", but was actually more like a “large bar". The place had tables for around 150 patrons and a dance floor in front of the stage.
June ? Buffalo, New York New Century Theatre This gig with Starcastle again opening is completely unsubstantiated, although one fan claims to still have his ticket stub.
June 22 Springfield, Massachusetts Civic Center Here, Giant played second on a triple bill, following Derringer and preceding Todd Rundgren's Utopia. Derringer, which was Rick Derringer's group at the time, was only added to the bill about a week before the show. Rick lived nearby and was well known in the area, so he may have been brought on board to bolster lackluster ticket sales. Even so, the hall was far from full, with an estimated 2500 out of about 8000 seats occupied. After Derringer's set, a black curtain was pulled back, revealing GG's stage setup. When the band began, things went very well but, when they began playing some of their softer material, certain portions of the crowd became somewhat restless and some band members appeared annoyed, particularly Kerry. By the end, the audience was again responding well, but Giant's set was still relatively short. Then, the Utopia set was plagued with electrical problems towards the start, resulting in a lengthy delay. A local newspaper had earlier advertised that Derringer was to open for Giant at the Civic Center in Providence, Rhode Island on June 22, but that’s not what happened.
Poster for Canadian gigs with Starcastle June 1976
June 24 Moncton, New Brunswick Moncton Coliseum Getting to this concert proved very difficult for Giant. Due to a Canadian air traffic controller strike, the band was unable to take the commercial flight they had originally booked. They ended up driving for two days to get to Moncton after the Springfield gig listed above. After the show, their promotor arranged for a private charter flight to take them to Quebec City for the next night’s gig. Of course, this incurred additional expense for the band and may have continued to be a problem for the other dates on this Canadian leg of the tour. Starcastle was the opening act at this general admission concert held in a hockey arena. It seems to have been a pretty sizable crowd, although one unsubstantiated report has surfaced claiming only 640 people were in the audience. Other more credible accounts place the night’s attendance at around two thousand, with floor seating full and plenty of others sitting up higher. A couple fans remember that during the quadraphonic violin solo, Ray repeatedly pointed with his bow at the various locations within the hall where the next echoes would appear. On this night, a rumor circulated that an associate of the band, perhaps a roadie, died shortly before the gig. This supposedly necessitated the band performing with only half of their normal stage set-up at the show. When asked about this more recently, Gary expressed doubt that the band would perform with much equipment missing. He also recalls nobody connected to the band passing away. One early report had the band scheduled to play in Trois Rivieres, Quebec on this evening but those plans obviously changed.
June 25 Quebec City, Quebec Colisee Starcastle was the opening act.
June 26 Ottawa, Ontario Lansdown Park - Civic Center Arena Starcastle was the opening act and was given a decent reception. Although possibly not full, it was nonetheless a very good sized crowd of about 5,000. One local newspaper reviewer was unkind to GG, using the headline “Gentle Giant: Boredom on a Colossal Scale”, while another was a bit more gracious, describing the band’s performance as “Tricky but Rewarding”.
June 26 The VARA TV Network in the Netherlands broadcast a 50 minute Gentle Giant concert. It is not known if this was a newly filmed performance, or a re-broadcast of some earlier film, such as the March 16, 1974 London concert previously shown in England and Italy, or the German ZDF-TV Sonntagskonzert program first aired on Aug. 10, 1975. For the record, this Dutch concert’s length of 50 minutes does match up with the length of the ZDF-TV program.
June 27 Toronto, Ontario Massey Hall Starcastle was the opening act. The venue, which seats around 3000, was virtually sold out. One happy fan kept yelling out to Gary, “are you an onion?” The exact meaning of this question isn’t clear, but it did elicit giggles from Gary. An audience recording of GG’s performance once existed but, sadly, the original tape is now missing. However. copies made by the taper early on for friends are rumored to still exist. A tape of Starcastle’s set has surfaced, lending further credence to the possibility of Giant’s recorded set being out there somewhere.
Toronto June 27, 1976
June 28 Montreal, Quebec Place des Nations held in an outdoor open-air venue with between 10,000 and 12,000 in attendance. Although not needed, a rain date was planned for the next night. Starcastle was the opening act. According to a newspaper report published the next day, things got off to a rocky start. Just prior to the show, about 300 gatecrashers tried to violently force their way in. Bottles were thrown, while police wielded batons and used patrol dogs to restore order. There were several injuries as well as arrests. Fortunately, things quieted down and, for the rest of the evening the band enjoyed a rapturous reception by the enthusiastic audience. However, that was not the end of the unrest as, while the band was performing, tragedy struck outside the venue. The theft of a leather jacket led to the stabbing death of a youth. The band only found out about this afterwards but, although the police established the crime’s occurrence in close proximity to the concert was purely coincidental, the band was nonetheless quite distressed by the event. During a radio interview Derek did the next day on the city’s CHOM radio station, this unpleasant subject never came up. As was the case with the Toronto show from the night before, a tape of Starcastle’s set has surfaced, but not Giant’s, although it is rumored to exist. As yet another example of how GG tour schedules were often rearranged on the fly, Los Angeles was at one time advertised as being the planned location of this concert.
Montreal ad June 28, 1976
June 30 London, Ontario London Arena the last 1976 show for which Starcastle was the opening act. Starcastle has claimed to have very much enjoyed their concerts with Giant.
London, Ontario ticket June 30, 1976
July 1 Binghamton, New York Broome County Veterans Memorial Arena opened for Todd Rundgren’s Utopia. An early report had GG headlining this show at a club called The Bijou, but that was wrong.
July 2 Rochester, New York Masonic Temple - Auditorium Theatre This show was a theater gig at which Ritchie Blackmore's Rainbow headlined. Thin Lizzy was originally planned as Rainbow's opening act during June and July. However, due to illness, Thin Lizzy pulled out of the entire tour, causing Rainbow to sign various alternate support acts as they went along. On this night, Giant played in the middle of a triple bill, after Angel and before Rainbow. They were also well enough received to return to the stage for an encore or two. In a published interview in 1980, Ray recalled this concert fondly, proudly claiming GG upstaged Rainbow.
Rochester flyer July 2, 1976
July 3 Hempstead, New York Calderone Concert Hall This show was broadcast live on New York City's WLIR radio as part of that station's Bicentennial celebration. It appears to be the longest broadcast the band ever did. At one point between songs, Derek joked that he would "make peace" with the Americans for "dipping the tea in the water" and "kicking Britain out of Boston". Following the usual encore of Peel the Paint/I Lost My Head, the band again returned to the stage and, as midnight approached, played In the Midnight Hour as a surprise second encore, during which Gary had a little trouble playing his part. This was followed by yet another surprise, a version of Happy Birthday, dedicated as a July 4 birthday tribute to the USA. Fan recollections originally conflicted regarding whether Happy Birthday was actually performed on this night, but it’s been confirmed by a partial audience recording that recently surfaced comprising just the three final encores, none of which were part of the radio broadcast. A number of people at the show have sworn that they saw no support act. However, it’s now been verified that the Mick Ronson Band did play on this date, though perhaps not as an official opening act for Giant. Ronson’s drummer explains that his band played quite early on, before most of the crowd even arrived, with their set mainly meant for record executives in attendance. Over the years, more and more music from this radio broadcast started to appear on official releases. Two songs were released on 35th anniversary CD reissues. Just the Same is included on the FREE HAND reissue, while the song Interview appears on the INTERVIEW reissue. In 2011, the Alucard reissue of OCTOPUS included Excerpts from Octopus from this gig as a bonus track. Finally, the entire live broadcast was released by the band in 2014 on the LIVE AT THE BICENTENNIAL CD, with Excerpts from Octopus from this CD appearing again on Alucard’s 5.1 OCTOPUS reissue in 2015. Both the official release and earlier bootlegs of the concert show that the band omitted their recorder rendition of Yankee Doodle during Excerpts from Octopus. Not surprisingly, the official release edited out spoken bits from the radio announcer but, for some reason, it also edited out the section where Derek introduces himself to the crowd as Donny Osmond.
July 5 Elyria, Ohio The Joker A tape of this show exists. Early ads listed Ethos as the opening act, but by the beginning of July, the opener was listed as a British band called Upp who were produced by Jeff Beck and were on their first American tour. The Joker was a low-ceilinged cavernous space nestled among the off ramps of a freeway exchange. Earlier on, it had been a K-Mart Department Store.
Elyria ads - original and updated bill July 5, 1977
July 8 Detroit, Michigan Ford Auditorium GG was again supported by Felix Pappalardi’s Creation, as well as a band called Natural Gas.
Detroit ad July 8, 1976
July 9 Terre Haute, Indiana Indiana State University - Hullman Center This was an event billed as a “Summer Jam” and was a general admission show. Giant followed Starz and Wet Willie, all opening for headliner Ted Nugent before 4200 fans.
July 11 Dallas, Texas Electric Ballroom The Abilene Reporter-News noted that, for some reason, a large number of the audience paid no admission. It’s possible this was one in a series of free concerts sponsored by Dallas radio station KZEW. Even though many in the crowd were unfamiliar with Giant’s music, most were very impressed. At one point while the band was playing Knots, a large portion of the crowd suddenly rushed forward in delight towards the stage. This slightly startled the band, but they kept going with no problems. There were two opening acts at this gig. The first is unknown, but the second was called Uncle Rainbow who were also well-received and were called back for an encore. Even though they were basically a pop band, they surprised the audience with an encore of Weather Report's Man In the Green Shirt. One interesting fan recollection has come to light stating that country rocker Charlie Daniels was in attendance at one of Giant’s Electric Ballroom gigs and even joined them onstage. GG played this venue more than once so it is not known to which show this fan was referring.
July 13 Austin, Texas Armadillo World Headquarters The band has claimed that Austin was one of their favorite places to play and immediately after this show, Kerry, Ray and Gary told a fan that they thought this was one of their better played gigs. The audience was very receptive. The opening act was a band appropriately called Texas.
July 14 The BBC broadcast a portion of the Oct. 7, 1975 Ultrasonic Studio performance on its BBC Rock Hour radio program, hosted by Brian Matthew. The songs broadcast were Intro/Cogs in Cogs, So Sincere, Free Hand and Just the Same. Appearing on the same program was John Miles.
July 16 Santa Barbara, California Arlington Theater An existing tape shows that, for some reason, before Excerpts from Octopus, they played a modified version of the intro tape played before their fall 1975 gigs. Giant played alone at this show, with no support act. There was a brief power failure during the concert, but GG quickly recovered. There has been some dispute over this show’s venue, but it definitely was the Arlington Theater, an architecturally dazzling venue which held about 2000 people. Unfortunately, the concert was poorly attended, but the crowd did give the band a warm reception.
Santa Barbara ad July 16, 1976
July 17 Anaheim, California Anaheim Stadium The stage was set up in center field of this baseball stadium. Fans filled the grandstand plus the entire infield was filled with more fans sitting on blankets. Some estimates had as many as 70,000 in attendance, but figures printed in Billboard indicate that 55,000 tickets were sold. In fact, this general admission show was sold out ten days in advance. Even American President Gerald Ford’s son Steve was in attendance, as was Danny Bonaduce of the Partridge Family. Giant played first, beginning around 4:00 in the afternoon, followed by Gary Wright, Peter Frampton and headliners Yes. Interestingly, weight-lifters, high wire performers and skydivers were used to entertain the crowd between the different musical performers. Kerry thought the experience of being part of such a large event, easily one of the band’s biggest gigs ever, was incredible. On the other hand, Ray seems to recall not enjoying the show very much and Gary says he was a bit intimidated by the huge crowd. Derek took this opportunity to joke with the crowd, at one point telling them to “pretend we’re Led Zeppelin”. Considering it was very hot during Giant’s set, the crowd was reportedly well-behaved, with the exception of a few people who booed and even threw things at the band. One report has the drum bash during So Sincere being very well accepted by the audience. On the other hand, Giant was the only act not called back for an encore. Parts of Frampton's set this night are known to have been filmed, but there’s no evidence that Giant’s set was. This was the first of several large stadium shows in which Giant participated in July of 1976. A report has surfaced that Toots and the Maytals may have been included on one of these bills, but no other information is available, as of yet.
Anaheim backstage pass July 17, 1976
July 18 San Diego, California Balboa Stadium Opened for Gary Wright, Peter Frampton and Yes on a hot, sunny day. Being first on the bill, GG again hit the stage around 4:00 P.M. Not only was the 35,000 seat venue sold out, but the press reported that an additional 4500 fans were milling about. Police had a difficult time keeping order, as there were multiple reports of vandalism, injuries and arrests. An existing tape of this gig shows that they included no INTERVIEW material, instead relying on their more familiar songs from previous albums. This is one of the shows for which different fan reactions have been reported. Although the 5-man drum bash during So Sincere is said to have impressed most people, some say GG endured their share of heavy booing during their set, while others disagree. The band did have problems with feedback and an uncooperative PA system that certainly did not help. Whatever the case, the band themselves perceived their reception as being unfavorable, a point that Derek commented on the next time they played San Diego on Mar. 30, 1977. A film of a portion of Gary Wright’s set has recently been officially released but, as was the case the previous night, there is no evidence that GG’s performance was itself preserved on film.
San Diego - Yes’ massive rig and press report July 18, 1976
July 20 Daly City, California Cow Palace opened for Yes again to a packed house of 14,500. Giant came out for a somewhat obligatory encore at this show, which would normally imply a very positive reaction from the crowd. However, two fan reports have the band being booed yet again. This could partially be explained by the fact that crowds at the Cow Palace traditionally could be heard “mooing” at many concerts, in honor of the venue’s odd name and history of hosting national rodeo events. Unfortunately, on this night, it appears there truly was some discontent in the crowd, a fact pointed out in an absolutely horrific, scathing review published in the Stanford Daily. Phrases like “fell flat on its face”, “worst synthesizer music”, “bizarre songs”, “overly contrived”, “unimaginative”, “inaudible” and “repetitive” run through what has to be one of the worst GG concert reviews to surface so far. Of course, the reviewer’s credibility must be called into question, seeing as how he also stated that Phil Shulman played bass at the show. It is known that the sound for the band was sub-par this night, with their overall volume coming in considerably quieter than what Yes produced. There were equipment problems, as well. It took a roadie quite a while to get Ray’s bass working properly as the band began their set. At another point in the show, John went to play the vibraphone, only to find the instrument's microphones were dead. He held his sticks up in frustration. Derek told the audience that the band felt crowded on stage, indicating this may have contributed to their problems, but the reviewer took offense at this, as well. As it turned out, Yes had its own share of troubles on stage. Bassist Chris Squire had considerable problems with his instrument, causing him to actually throw it backstage in anger at one point. It's believed that Yes was originally planning on playing in nearby Oakland, California on this particular night and there was discussion of Giant playing at a different venue altogether, but that is not how things transpired. The bands did share the bill, although Giant was the only opening act, unlike most of their other dates with Yes. There is a rumor that Yes’ set may have been filmed but, once more, there are no indications that GG’s set was.
Daly City - horrible Stanford Daily review July 20, 1976
Vancouver July 22, 1976
July 23 Seattle, Washington Seattle Center Coliseum opened for Yes before 15,000 fans. While in Seattle, John and Gary actually did some shark fishing from their second floor hotel window. They caught one and kept it in the bathtub for a time. This odd behavior mirrors that which was first immortalized on an earlier Frank Zappa recording in which he refers to fishing out the window of Seattle’s Edgewater Inn, possibly the same hotel Giant occupied while in town. According to John, GG’s fishing expedition took place either on this date, or when they next were in Seattle on Mar. 26, 1977.
July 24 Portland, Oregon Memorial Coliseum opened for Yes with close to 8,000 in attendance
July 25 Spokane, Washington Spokane Coliseum About 6,500 people saw Giant open for Yes.
July 28 Denver, Colorado Auditorium Arena opened for Yes. A member of Yes’ road crew claimed disappointedly that only 3000 tickets were sold in this large arena. However, that would be very unlikely at this point in Yes' career. A fan in the audience remembers the crowd being much bigger than that, although the arena may not have been sold out. On this night, there have been no reports of GG being booed. In fact, although Giant did not perform an encore, their reception by the crowd was reportedly strong enough to merit one.
??? Denver, Colorado Ebbets Field This is a very suspect show. One account has the group playing another Denver gig at this small club between summer 1976 and spring 1977, supposedly with no opening act. Although it cannot be positively ruled out, there are convincing arguments against it. First of all, the band already had a 1976 Denver gig on July 28. Second of all, an employee at the club has no recollection of a 1976 Ebbets concert. Third, Ebbets was closed sometime in 1976, possibly before the summer.
fall 1976 European tour was next. In an
interview published in July, Derek said the group hoped to take the unusual
step of working into this tour a concert in
TYPICAL SETLIST (Fall 1976)
Intro/Just the Same - Some of the European shows may have begun with a shortened Intro 76 in which the portion of Talybont was again left out.
Excerpts from Octopus
Funny Ways - This crowd favorite was put back into the set.
Peel the Paint/I Lost My Head
The Italian band Banco was brought on board and was scheduled to open at many, if not all, of the shows on this European tour. So far, it’s been verified that they opened at all the German shows and at least two others. They may very well have played at more. During this tour, Giant recorded four of their concerts with the intention of sifting through them and compiling a live album. Music from these four concerts did indeed make up the 1977 PLAYING THE FOOL live album.
Sep. 16 Oslo, Norway Chateau Neuf A full house of around 1500 fans attended this concert.
Oslo Sep. 16, 1976
Sep. 17 Gothenburg, Sweden Konserthuset A tape of this concert exists. Banco had indeed intended to open this show, but had to cancel. The newspaper reviews after the concert were lukewarm, at best.
Sep. 18 Stockholm, Sweden Konserthuset Again, Banco was the scheduled opener but, again, they cancelled.
Lund Sep. 19, 1976
Sep. 22 Berlin, Germany Philharmonie The band was scheduled to appear at this gig with Banco, but the entire show was cancelled due to problems encountered getting equipment across the border between West and East Germany. The members of Giant did manage to arrive in Berlin and were even interviewed for a local music newspaper, but they were unable to perform.
Sep. 24 Mannheim, Germany Rosengarten Musensaal Banco opened the show.
Mannheim poster Sep. 24, 1976
Sep. 27 Ulm, Germany Donauhalle The band originally planned to play here with Banco but it was cancelled at the very last minute. Electrical issues in the venue were given as the reason, but a notice in the Sudwest Presse questioned whether sluggish ticket sales were a contributing factor.
Offenbach flyer Sep. 28, 1976
Sep. 30 Zurich, Switzerland Volkshaus This is another gig that some evidence indicates the band may have originally intended to record, though it didn't happen. However, a tape made by an audience member does exist. It may have been unusually hot on stage that night, as Derek remarked that it felt "like a sauna bath" and joked that the band may have to start removing their clothes, which he said might "scare the girls".
Oct. 1 Neuchatel, Switzerland Temple du Bas A tape of this show also exists. Banco opened the show, which was reportedly only the second major rock concert to be held in Neuchatel. Temple du Bas was a beautiful old church that had just recently been renovated. As a rider in their contract, the band had listed certain electrical requirements. The promoter told them during soundcheck that he was unable to honor their request. That evening, when he walked into the dressing room, the promoter saw the roadies dressed in the band members' stage clothes. The roadies told him that, because of unsafe wiring, the group would not play and the roadies would take their places. The promoter broke into tears, at which time the roadies admitted it was all a bit of English humor. In actuality, the members of Giant were quite touched by the lavishly catered affair the promotor and his friends had provided them in their dressing room. Derek was even moved enough to thank them publicly from the stage during the concert. Apparently, the band played loudly enough this night to be easily heard outside in the street, where some fans stayed and enjoyed the music.
Neuchatel - setting up the stage Oct. 1, 1976
Oct. 3 Vaduz, Liechtenstein the only known time the group ever played in this tiny European nation. The date may have actually been Oct. 2.
Oct. 5 Paris, France Pavillon de Paris Banco opened the show. This was another of the four concerts recorded for use on the PLAYING THE FOOL album. Excerpts from Octopus, The Runaway/Experience, So Sincere and Peel the Paint/I Lost My Head on that album came from this concert. John recalls a nerve-wracking moment that played out in Paris while he and Gary were doing some after dinner sightseeing along the banks of the Seine. They noticed a student riot taking place on the river’s opposite shore when suddenly, a portion of the rioters split from the group and ran across the bridge towards them. As the students ran by, baton wielding police in close pursuit, John and Gary held their ground but yelled out, “Anglais! Anglais!” The police apparently understood and left them alone, continuing to chase after the rioters. Relieved, John and Gary quickly returned to their hotel. This could have taken place at the band’s Nov. 29, 1975 Paris gig, but this one seems more likely, as they had a day off for sightseeing before moving on to Brussels.
Paris ticket Oct. 5, 1976
Oct. 7 Brussels, Belgium Cirque Royal the last of the four concerts recorded by the band for use on the PLAYING THE FOOL album. A total keyboard breakdown after just two songs led to a delay in the show, during which Ray and Gary played a few impromptu numbers. One of them was a spontaneous improvisational version of the song Sweet Georgia Brown, a number the two of them had played on and off for years during soundchecks. It appeared on the live album, retitled Breakdown in Brussels. The keyboards were eventually brought back to half strength so the band could at least finish the show. The song Free Hand from this concert also appeared on the live album.
Dec. ? There is a rumor that Giant appeared on Brazilian TV at some point in the last month of 1976. The song Free Hand was supposedly broadcast, but no information as to when or where it was filmed is known. However, the Italian band PFM also allegedly appeared on the broadcast. Gary recalls sharing a bill or two with this particular band, so this may be one of the occasions he remembers.
Jan. ? Rehearsals
for the next tour began in a public room in a pub in
Jan. ? Later
in the month, they moved to a soundstage at Pinewood Studios west of
Jan. 16 The July 7, 1976 Chicago gig that was recorded by WXRT Radio was broadcast by that station in edited form on this evening. The broadcast was part of the station's regular Sunday night "Unconcert Series". The series was sponsored by 7-Up, the soft drink then being promoted as the "uncola". Normally, concerts were broadcast one or two months after being recorded, but this Giant broadcast took six months to air, for unknown reasons.
Chicago - “Unconcert” radio broadcast listing Jan. 16, 1977
Jan. ? There
is information pointing to two different January dates for when the band
released their live album PLAYING THE FOOL in America. Some evidence indicates it was released on
Jan. 18 while a press release advertising their upcoming North American tour
said to expect the album on Jan. 24.
More clarification is needed. The
tracks on this live album were recorded in Dusseldorf, Munich,
Jan. 28 PLAYING
THE FOOL saw release in
??? At some point, Capitol Records released a promotional record called GIANT EDITS. It contained shortened versions of a number of the songs on PLAYING THE FOOL. These all fit on one record, while the full live album was a double record.
their long held tradition of heavy touring, the group hit the road again in
North America during February and March in support of their new live
album. At last, the group was able to
headline most of their concerts in North America. However, they did share some dates with
Renaissance, the two bands switching off the closing spot on the bill. Promoter John Scher, in a Rolling Stone
interview, confirmed that the two groups played twelve dates together but,
instead of characterizing this as two bands alternating as headliners, he oddly
described Giant as “opening for eight and co-headlining for four”. Available evidence does not exactly coincide
with these numbers. Plans may have
changed as the tour went along, or Scher may have simply been mistaken. He explained that he wanted Renaissance to
headline in places where they were already strong and co-headline in places
where they were less well known. It is
clear that there was tension and frustration between these two bands. Scher, in his interview, was somewhat
disparaging toward Giant, claiming they were too demanding in that they
expected the same treatment from the promoter and the venue when they opened as
when they co-headlined. Annie Haslam of
Renaissance, while acknowledging that this tension grew as the tour went along,
also stated that for the most part, the two bands got along fine. This PLAYING THE FOOL tour was unique
in that the band broke tradition and premiered four songs that they intended
for their next studio album, but which had not yet been recorded. There were also a number of other changes to
their stage show. Besides dropping all
material from the INTERVIEW album, Ray's violin solo was missing, as
well. Kerry said in an interview in a
Canadian publication at the time that the band had intended to play The Face
during this tour, with the violin solo included as part of that song. Unfortunately, he said that equipment
problems of some sort made that impossible.
Actually, the song was rehearsed at Pinewood Studios in January and
appears on the "run-through" recording made there. It also may have been played on the first
couple nights of the tour but, if so, it was definitely dropped by the time the
TYPICAL SETLIST (Feb. - Apr. 1977)
The Runaway/Experience - Beginning the
concert, a prerecorded classical piece was played, specifically the final
movement of Bach's Brandenburg Concerto #4.
As Old as You're Young - not yet recorded
Just the Same/Playing the Game - On Playing the Game, Derek played the "shulberry". This was a simple 3-string instrument invented by the band's keyboard roadie, Phil Freeman.
Memories of Old Days - not yet recorded. Kerry played a brief keyboard version of the song Giant as a lead-in. During the song itself, all five members played one type or another of guitar.
Winning - not yet recorded. The arrangement of this song was vastly different from what would eventually be recorded for the group's next studio album. When performed live, this song featured an electronic drum machine, the only time the band ever toyed with such a device.
For Nobody - not yet recorded. Ray often got to introduce this song on stage, though not always.
Funny Ways - John got to showcase his comedic skills as his humorous introduction to this song became a nightly ritual.
So Sincere - For this tour, the beginning of this song was played on vibraphone.
Excerpts from Octopus - This song was the new encore but was not played every night. It featured a new keyboard bridge section and during the recorder quartet, they did not play their customary version of Yankee Doodle.
Poster for US tour early 1977
On this tour, Giant attempted the use of abundant special effects, perhaps more ambitious in scope than they had tried before. In addition to standard effects, such as smoke and strobe lights, they also made an early attempt at using projected hologram images. These were of spinning white balls and were known to appear during On Reflection and Memories of Old Days. They also continued to use synchronized slides and films, such as one set of slides of hands playing conga drums. These hands would appear to move faster and faster and were used during the song Winning. Also, because of the complexity of this particular song, the band played along on stage to an electronic drum machine which provided additional percussion parts. It's possible they may have used other pre-recorded backing tracks on stage, as well, during some parts of the show, though this is unconfirmed. During the concerts, white accordion shaped screens were used to hide the amplifiers.
neon "giant's head", which hung on the back wall, was planned as part
of the stage set for this tour. The
intent was to turn it on towards the end of the show, but it was damaged after
just the first or second show and was sent out for repairs. It did not return to service until the
Feb. 17 Buffalo, New York New Century Theatre As the band arrived in Buffalo, the city was still digging out from one of the worst snowstorms of the century. Nonetheless, after rehearsing at the venue on Feb. 16, the tour officially began on Feb. 17. The opening acts were local Buffalo band Rodan, followed by Mr. Big. Mr. Big was not well received. Upon being booed after one of their songs, one of the members of the band responded by yelling out an obscenity directed towards Gentle Giant before going into the next song.
Buffalo press notice Feb. 17, 1976
Feb. 18 Cincinnati, Ohio Riverfront Coliseum Steve Hillage opened this show followed by GG and, in the headlining slot, the Electric Light Orchestra. Billboard reported just over 8000 in ticket sales for the evening, while the Cincinnati Enquirer placed the size of the crowd at 12,000. Multiple reports described the crowd as being quite hostile to the openers, especially Giant. The first problem was that there was a delay of over an hour after Hillage finished before Giant even took the stage. In addition to having poor sound on this night, they had to endure quite a bit of booing, starting right after their opening number. Finally, they had had enough and left the stage, cutting their set short. One of the reports had this occurring after the song On Reflection, when the band looked at each other, stopped the music and bowed simultaneously to the audience. Derek then said, "thank you very much", and they simply left the stage, However, a second report had the band stopping in the middle of So Sincere, after which they freely expressed their frustration with the crowd. Derek, in particular, was far less “polite” in his choice of parting words. Additional reports single out problems with a teenager seated near the front repeatedly yelling out “let’s boogie”, and baseball fans in the crowd who objected to John wearing his traditional Oakland A’s baseball jersey instead of that of the local Cincinnati Reds. This was a festival seating gig. About two and a half years later, the city of Cincinnati banned all festival seating at concerts after eleven people were killed at a Who concert at this same venue.
Cincinnati ad Feb. 18, 1977
Feb. 20 Quebec City, Quebec Centre Municipal des Congress The Quebec area band Et Cetera was the opening act and they were not well received. A tape exists of this gig.
Feb. 22 Toronto, Ontario Maple Leaf Gardens A tape exists of this show, for which Montreal trio Symphonic Slam was the opening act. Half of this hockey arena was closed off to give the venue more of a concert hall atmosphere, although the acoustics were still a bit iffy. Around this time, possibly on this date but possibly just before the start of the tour, members of the band were interviewed in Toronto's Thunder Sounds Recording Studios. Portions of these interviews, combined with musical selections, appeared on a promotional record called INSIDE GENTLE GIANT. This record was sent by the band's record company to radio stations in order to promote this early 1977 tour.
Toronto Feb. 22, 1976
Feb. 23 Montreal, Quebec Montreal Forum A tape of this concert is rumored to exist. There was some concern whether Giant would be able to play this show, as bad weather in Toronto almost cancelled their flight after the previous night's show. Fortunately, they did arrive, but the show didn’t begin until 9:30 PM, causing the crowd to get a bit restless. Et Cetera again opened and were better received than they were in Quebec City. About 6000 people were in The Forum to see the show. While in town, possibly the next morning, John found time to stop in at the city’s CHOM radio station for a quick interview.
Feb. 24 Albany, New York Palace Theater At this show, Giant opened for Renaissance to a reportedly positive reception. The venue is estimated to hold 2500-3000 people and was either full or close to it.
Feb. 25 Boston, Massachusetts Orpheum Theater This
was a sellout show. Even though
advance promotion of this show had Giant as the headliners, they actually ended
up opening for Renaissance. A tape of
the show exists on which Derek, in his opening comments, seems to express
frustration with GG having to shorten their planned set to about an hour in
length. Nonetheless, a
Boston ad and ticket Feb. 25, 1977
Feb. 26 Upper Darby, Pennsylvania Tower
Theater A tape of
this gig exists. The opening act was Ace
and a bit over 3000 tickets were sold, making this a sellout performance. Renaissance is known to have played at the
Palace Theatre in
Feb. 27 New York, New York Avery Fisher Music Hall A tape also exists of this near sellout gig, held shortly after the hall was renovated to improve its acoustics. The show was an hour late starting, due to problems getting the stage set up just right. During much of this hour, the audience was stuck in the lobby, which led to a certain amount of frustration. When the show finally began, Derek introduced the group as “a smelly old rock band”, but this attempt at light-hearted self-deprecation did not appease everyone. Segments of the crowd were quite annoyed during the opening song, as the volume was apparently set too low for some audience members' taste. Interestingly, one written review made it a point to comment on John’s “off-color” remarks during his brief comedy routine. Billboard gave a lukewarm review of the gig, at best. The opening act for this concert, if there was one, is not yet known. The pre-show music in the hall was from a Frank Zappa album. Coincidentally, Zappa played in New York around the same time and the pre-show music at his concert was from a Gentle Giant album, Giant being a band he greatly admired.
Feb. 28 Hempstead, New York Calderone Concert Hall During Giant's set, the ever-cheerful John Weathers wore some sort of wig over his balding head before removing it partway through the concert. A tape exists of this gig, as well. Ace was the opening act and, according to one report, was booed off the stage after two or three songs. However, this has been disputed by another fan in attendance. There was also a rumor at one time that a third band was on the bill, but this does not seem to be the case.
Hempstead marquee Feb. 28, 1977
It appears that live segments from this tour were filmed by Belgian TV and shown in that country at some point. A photo from this broadcast appears in the SCRAPING THE BARREL box set. In the photo, Derek is holding his shulberry, implying the group at least performed the song Playing the Game, but no other details about this broadcast are yet known. It is also possible that Giant may have been filmed on this tour for Canadian television, as well. No other details are known about that broadcast, either.
Mar. 1 Ellicott City, Maryland Hollywood Palace A band called Zed was the opening act. It’s been estimated that about 300 people were crammed into the club, well over normal capacity. This date was added to the original tour itinerary.
Ellicott City Mar. 1, 1977
Mar. 2 Pittsburgh, Pennsylvania Soldiers and Sailors Hall This gig was canceled due to booking problems. It does not appear in the band’s pre-tour press release or their own handwritten notes from the tour, but it was advertised at the time by both the Giant and Renaissance camps. The plan was to play at Soldiers and Sailors Hall but problems arose. As little as one week before showtime, a local newspaper still advertised the show as “site to be announced”.
Mar. 3 It seems a 30-minute news special on
Gentle Giant was broadcast over WXFM Radio in
Mar. 4 Chicago, Illinois Riviera Theatre At this show, Renaissance opened for Giant. The neon "giant's head" was triumphantly returned to service for this show.
Chicago ad Mar. 4, 1977
Mar. 5 Akron, Ohio Civic Theatre GG opened for Renaissance. Mr. Big, who played first, was not well-received. The fact that the show was almost an hour and a half late could have contributed to the audience's frustration. Mr. Big also had guitar trouble and is said to have borrowed Gary Green’s Les Paul for the show. The Civic Theater, which was an ornate theater used for film and live stage productions, had a stage designed to simulate the look of a castle, with the lowered drawbridge being the stage itself. The outline of the castle was backlit on the back wall of the stage. Additionally, tiny lights in the theater's ceiling gave the impression of an evening's starlit sky, across which the illusion of clouds could also be seen moving. One interesting report has surfaced from this concert. Supposedly, at one point during the show, someone was noticed in one of the small side balconies wearing a Giant mask and lit by a spotlight. It turned out to be John Weathers. Another unusual report has also surfaced. A fan in attendance recalls Excerpts from Octopus beginning with its customary coin toss, but not with the use of a prerecorded tape. He claims that, at this concert, a wooden table the size of a card table was placed center stage. A microphone stood next to it on a pole with its arm positioned close above the table. A band member then actually spun a large coin on the table to begin the song. This is definitely not the way things were normally done, making this report suspicious. Additionally, another fan in attendance has come forward to refute this claim. It was after this show that one of the roadies makes the disputed claim that the neon head was damaged again, although he says it continued to be hung at almost all of the gigs that followed. An early press release listed the venue as the Akron Music Hall.
Akron ad Mar. 5, 1977
Mar. 8 Indianapolis, Indiana Indiana Theater This show, at which Mr. Big went first before Giant and headliners Renaissance, was not sold out by any means, possibly because it may originally have been scheduled for Mar. 7. The band was extremely well-received, even though Gary played the entire show while not feeling well. In fact, after Playing the Game, Derek tried to introduce the next song but had to stop, due to the continued applause. The band appeared genuinely moved by the audience's reaction and did come out for an encore. Then, after Renaissance started their own set, the members of Giant actually went into the back of the audience and sat together to watch.
Mar. 11 Atlanta, Georgia Fox Theater Here, Giant played first on the bill before Sea Level and headliners Renaissance, therefore playing what’s been reported as a shorter set than usual. It's been rumored that the Mike Green Band played at the show, as well, though this does not appear to be true. Published ads show that GG was scheduled originally to appear in Atlanta on both Mar. 10 and 11 but only this Mar. 11 show took place. Georgia Tech’s student newspaper, The Technique, gave a glowing review to Renaissance and a decnt review to Sea Level. However, they did not like Giant at all, describing their stage presence as “somewhere between Carol Burnett and Idi Amin.”
Atlanta Mar. 11, 1977
Mar. 18 Austin, Texas Armadillo World Headquarters During Giant’s set, a band member announced from the stage that they always enjoyed playing this particular Austin venue, but it’s been reported that the crowd this night was not as receptive as they had been at GG's previous Austin gig on July 13, 1976. At one point, John Weathers had to chastise the audience and one spectator remembers the band struggling to "keep their cool" in front of a rather rowdy audience. On the other hand, another fan at the show characterizes the evening differently, believing that Giant did win over the crowd by the end. The Wommack Brothers, a local Austin jazz-rock group, opened this packed show and suitably impressed Giant. GG’s management requested tapes and materials from the Wommacks with the intention of helping to publicize them, particularly in England, where they felt there was a need for their kind of music.
Austin flyer Mar. 18, 1977
Mar. 19 Dallas,
Ballroom Although not
confirmed, this may have been another in a series of free concerts sponsored by
Dallas radio station KZEW, similar to what may have
happened at the July 11 gig at the same club.
Prism, a Texas band not to be confused with the Canadian band of
the same name, was the opening act at this packed concert and has officially
released their set from this night on CD.
Members of Prism have described having Giant watch their set from the
wings as one of the highlights of their career.
Their drummer had a cymbal which he made from a metal disc originally
used to scoop golf balls from the bottom of ponds. John Weathers heard this cymbal and liked it
very much, so Prism’s drummer gave it to him after the show. It can later be heard on the song Winning
on GG’s 1977 MISSING PIECE album.
The venue was basically a big barn with a stage at one end and a 100
foot bar running the length of the room.
Ray remembers a gig at a club in
Mar. 20 Tulsa, Oklahoma The Wharf Point Blank opened the show. This was a small club and one estimate puts only about 150 people in the audience, despite the fact that the band took the time to do an interview with KMOD Radio while in town.
Mar. 22 Kansas City, Missouri Uptown Theater Although not part of the band's original tour schedule, one of the roadies for this tour thinks this gig may possibly have been planned at one point and subsequently cancelled.
Mar. 25 Portland, Oregon Paramount Theater There is some evidence that this gig, for which Starcastle was slated to open, was canceled. However a conflicting report has Starcastle’s soundcheck taking longer than usual, pushing the starting time for the show back a bit. Since the audience was then restless, they were not kind to the opening act.
Mar. 26 Seattle, Washington Paramount Theater Starcastle again opened for Giant at this festival seating concert.
Mar. 28 San Jose, California San Jose Center for the Performing Arts A country-rock band named Stallion went first. This opening band actually had a tumbleweed blow across the stage at one point in their set. Hometown heroes Pablo Cruise were supposed to headline but, for some reason, they and Giant switched places and Giant went last. Because many in attendance came to see local favorites Pablo Cruise, expecting them to headline, the crowd thinned out dramatically before GG's closing set even began, leaving only a couple hundred fans. Where one may expect an eager crowd to clap their hands in anticipation of the start of a show, many of these diehard Giant fans began snapping their fingers in a rhythm reminiscent of the opening of Just the Same while waiting for their band to take the stage. This particular gig was not on Giant’s original tour schedule, having apparently been added at some later point.
San Diego Mar. 30, 1977
Mar. 31 Los Angeles, California Shrine
Auditorium A tape that
exists of this concert shows that they played In the Midnight Hour
as a surprise second encore. This
occurred, even though the house lights had already come on, after the crowd of
around 5000 fans would not stop cheering.
Although it may have happened on other occasions, this is only the
second time this song has been verified to have been played, the first being in
Hempstead, New York on July 3, 1976.
Apr. 1 Phoenix, Arizona Celebrity Theater opened for Renaissance who, reportedly, were much better received. When Giant started their set, the audience was rather cool, giving them only subdued, polite applause, unlike the enthusiastic applause they gave Renaissance. One young fan in the audience proudly wore his own homemade Gentle Giant teeshirt to the show, with white iron-on letters on a black shirt. Derek noticed this well dressed, enthusiastic young man near the front of the crowd and invited him backstage afterwards, where the band treated him quite graciously. The Celebrity had a rotating, in-the-round stage. During John’s Funny Ways intro, he started walking in circles around the microphone, mimicking the rotation of the stage. Some silent 8mm film footage of Giant's set is rumored to exist. A roadie at the time claims the band was not originally planning on playing in Phoenix on this tour, which would imply this date was added at some point after initial plans were made. If one is to believe the recollections of this same roadie, the neon "giant's head" was not used at this show, supposedly at Derek’s request. Perhaps this was due to potential problems that would have resulted from rigging the head over the revolving stage.
In America, the NBC television network may have filmed a 1977 Giant performance for broadcast at some point during the year, possibly for the Don Kirschner's Rock Concert program. Details are unknown. One theory is that the 1976 lip-synched promo film of the song Interview was actually aired on the show, where it was accidentally mislabeled to be the song I'm Turning Around. A still from this mislabeled film can be seen in the SCRAPING THE BARREL box set. A similar rumor of NBC filming Giant dates back to October 1976, when Derek referred to possibly being filmed for the Don Kirschner show at that time. 1976 and 1977 performances on this show have never been confirmed, although promotional films of the band did appear on the program in May of 1979.
Go on to Part Seven
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