Go on to
Part Six
Return home to Gentle Giant Tour History
Gentle Giant
Tour History
***
Part Five ***
***
The Peak of Success ***
(mid - late 1975)
new information will
be in RED
??? The American release date for FREE HAND is not
yet pinned down. Dates of July 21 and
July 28 have been mooted but this is far from confirmed. In England, it was the first GG album
released by Chrysalis and, according to notices in the British press, it was
“rush released” in that country in late August.
This calls the US release, a full month earlier, into question. The first portion of August seems more likely
for the American release but more information is needed.
Aug. 10 ZDF-TV in Germany broadcast the Belgian
film on its Sonntagkonzert program. It was also broadcast on VARA, the Dutch TV
network, on the same day. It's possible
that it was also broadcast at some time in other parts of Europe, as well, including Dutch re-broadcasts in December and perhaps
again the following year, as well as French and Belgian broadcasts in
1976. It's possible that it was also
broadcast at some time in other parts of Europe, as well,
including Dutch re-broadcasts in December and perhaps again the following year,
as well as French and Belgian broadcasts in 1976. This entire performance has been officially
released, in both audio and video form, on the GIANT ON THE BOX DVD,
while the song Proclamation has also been included in the 35th
anniversary CD reissue of THE POWER AND THE GLORY. Coincidentally, this same song from the same
performance also appears as an enhanced bonus video track on the 35th
anniversary CD reissue of PLAYING THE FOOL.
ZDF-TV “Sonntagkonzert”
broadcast notice Aug. 10, 1975
The band originally had hoped to start their next
North American tour in June, but that was pushed back some.
A couple vague press reports indicate this may have been somehow due to
the “English tax situation”. In August, the group was able to put on only a
short series of concerts in eastern Canada and the northeastern United
States. Others may indeed have been
planned and then scrapped. This time
period is not yet thoroughly documented, with noticeable gaps between some of
the shows and some questions still remaining.
They did manage to do a
number of interviews, so some of their activities may have been promotional in
nature. As for the few concerts that
have been confirmed, the band headlined some of the shows and played as an
opening act at others. A number of
changes were also made in their live setlist,
including the addition of three songs from the new album and the deletion of
Gary Green's guitar solo. A full North American tour didn’t finally begin until the beginning
of October.
TYPICAL SETLIST (Mid - Late 1975)
Intro/Cogs in Cogs - A new prerecorded original instrumental
was now used as the intro. This new recording can be found on UNDER
CONSTRUCTION, mistakenly titled Intro 74.
Proclamation/Funny Ways
The Runaway/Experience - The prerecorded
bridge section was now no longer used to connect these two songs.
On Reflection
Excerpts from Octopus - This popular medley was
rearranged, making it a bit longer. It
now began with a full band arrangement of The Boys in the Band,
complete with the "coin toss" recording, before going into the other
material. The acoustic guitar duet was
rewritten and included themes from the songs Raconteur, Troubadour
and Acquiring the Taste.
So Sincere
Plain Truth - In this time
period, most or all of the vocals were omitted.
The song still spun off into Ray's violin solo.
Free Hand
Just the Same - The outro used after this song was a tape loop
fashioned from the song's saxophone riff.
It would gradually fade out.
Backstage pass used on FREE HAND tour mid to late 1975
Aug. 16 Boston,
Massachusetts Boston Garden This was an open
seating gig, the last of the so-called “dance concerts” held at this
venue. A tape exists of the show, at
which Giant played first, before Peter Frampton and headliners Steppenwolf. Giant’s set had poor attendance with crowd
estimates ranging from 250 to 1,000. A
review in Billboard was kinder to Giant than it was to Steppenwolf,
although it mentions that both acts had sound problems and it oddly did not
mention Frampton at all. This review also
stated that GG’s set was rather short and that they were “not allowed an
encore”. Before Excerpts from
Octopus, a member of Giant's crew made a mistake by playing, instead of
the "coin toss" tape, a snippet of the pre-recorded tape loop used as
an outro to the song Just the Same. A very unusual arrangement of Plain
Truth was played on this evening.
It consisted only of a brief instrumental portion of the song used as an
intro to Free Hand, with the guitar taking over some of the
melody line from the violin. There was a
large contingent in the audience from the local chapter of the Hell’s Angels,
the notorious motorcycle gang that was somewhat associated with
Steppenwolf. One false report had these
bikers running security and riding their bikes through the crowd in order to
introduce the headliners from the stage.
Although an entertaining notion, this did not actually happen. It is true, however,
that a political group called the Coalition Against Macho-Sexist Music picketed
and distributed pamphlets outside the venue, claiming Steppenwolf’s songs
promoted sexist views against women.
Aug. 17 Toronto,
Ontario Varsity
Stadium A show was scheduled here on this date, but it was canceled
and rescheduled for Sep. 1. The reasons
for this change have not been confirmed, but it may have had something to do
with trouble at a Crosby, Stills, Nash and Young concert held earlier in the
summer at this same venue.
Aug. 18 Trois-Rivieres,
Quebec Stade de Trois-Rivieres The stage
was set up on two flatbed trucks on second base at the local baseball stadium
and the band began quite late. About 2,500
were in attendance on a fairly cold night, making the place about half
full. The
tickets for the concert listed Triumvirat and local
Quebec-area band Pollen as being on the bill, as well, but Triumvirat
did not play and no confirmation of Pollen’s participation has been found. Prog/folk
singer Raoul Duguay, also a Quebec-area musician, did
play and may have been a substitute act.
Trois-Rivieres poster
Aug. 18, 1975
Aug. 21 Quebec City, Quebec Colisee Pollen
was advertised as the opening act at this Quebec City hockey arena and, this time, they did appear and were well received.
Quebec
City ticket Aug. 21, 1975
Aug. 22 Chrysalis
definitely rush released FREE HAND in England in late August, probably
on Aug. 22. It went on to become the
most commercially successful album Gentle Giant ever made, with songs that were
musically challenging, yet accessible.
The album sold very well in most parts of the world and the band began
to think their future would be very bright indeed.
Aug. 23 Hempstead,
New York Calderone Concert Hall This
is the band's first performance at this Long Island venue, an old refurbished
movie theater, but they returned there several times more in later years. Ray remembers a very odd bill with Giant
actually playing with heavy metal favorites Kiss. Actually, he is incorrect. Both bands did play there on Aug. 23 but in
two completely separate gigs. Kiss
played at 8:00 P.M. while Giant was scheduled to perform at 11:30 P.M. It ended up taking longer than expected to
tear down Kiss' equipment, so Giant's show started quite late, actually closer
to 1:30. A tape of GG's performance does
exist, however.
Hempstead
ad - late show after Kiss concert Aug.
23, 1975
Aug. 24
Aug. ? Rochester,
New York In
a different interview held at the time, Derek indicated there may have been a
gig scheduled in Rochester, but he seems to have been mistaken. No contemporary Rochester press coverage has
come to light to confirm such a concert.
Aug. 30 Montreal, Quebec Autostade This was an outdoor gig that Giant
headlined but it was plagued by bad luck.
It was actually scheduled for Aug. 29 but that was a rainy day, so the
concert was moved to the planned rain date of the following night. Unfortunately, it was also cold and rainy on
Aug. 30. More significantly, most of
Montreal
ad and backstage pass Aug. 30, 1975
Sep. 1 Toronto,
Ontario Maple
Leaf Gardens This was the
rescheduled concert from Aug. 17, and was a festival seating gig. Existing backstage passes and posters from
this rescheduled date indicate it was supposed to take place as an outdoor gig
at Varsity Stadium, but it was changed right on the day of the concert to
nearby Maple Leaf Gardens, allegedly because of inclement weather. However, there may have been other
reasons. Festival seating had recently
caused problems at Varsity Stadium, so the original plan called for only 25,000
tickets to be made available, a number intended to make the audience more
“comfortable”. Total sales must have
been well below that, as
Sep. 12 Los Angeles,
California Shrine
Auditorium Giant was
set to headline a show here, but it was postponed. The band subsequently didn’t arrive in Los
Angeles until November 1. It can be assumed other dates in the western US were planned
at one time, as well, with another couple press reports indicating one or two
more in southern California being scrapped, again due to the alleged “English
tax situation”. However, these dates are not known, nor is anything about the band’s
intentions during the eleven days since their last confirmed concert on Sep. 1
in Toronto.
There
are personal reminiscences from fans who claim the band played at least one gig
with Greenslade, probably sometime in 1975. There is also a press report
that a Cleveland-based band called Course of the Electric Messenger opened for
Giant at some point in the 1975 time period. Unfortunately, no other
information is known about either of these gigs, so they remain unconfirmed.
Sep. 16 On this date, in London, the band
recorded their eleventh BBC studio session, consisting of Just the Same,
Free Hand and On Reflection, all songs from the newly-recorded FREE
HAND album. It was recorded at Maida
Vale Studio 4 and broadcast on Oct. 13.
After this, the band ttok a break from
recording sessions for the BBC, as their record label no longer considered the
BBC helpful in the band's promotion.
This entire session appears on the OUT OF THE WOODS and TOTALLY OUT OF THE WOODS albums.
In the fall of 1975, Giant began another round of
full-scale worldwide touring to support their new album. Their stage set was, by now, even more
visually elaborate, utilizing slide presentations synchronized to the
music. The group seemed to be operating
at the peak of their commercial and creative abilities. As a whole, the band was a force with which
to be reckoned. Their live shows were
tight, brilliantly arranged and performed, and usually very well received. However, in North America, they still at
times found themselves serving as an opening act, most notably for the Strawbs and Rick Wakeman.
Sep. 21 London,
England New Victoria Theatre This was supposedly a very long
concert and has also been described as a "comeback gig", since the
band had not played England in quite a while.
The sound in the hall, packed with about 2000 fans, was reported in the
press to be less than ideal.
Nevertheless, the group's excitement at being back in their homeland was
apparent to the audience, a fact which did not stop Derek from complaining a
bit onstage about the band’s poor reputation in England up to that point. Michael Moore played in support of Giant, as
he would on many occasions during the band's full English tour coming up in
December. At one point early on, this
show was erroneously reported in the music press as being scheduled for
Victoria Palace, later corrected to New Victoria Hall. However, tickets for the show listed the
venue as New Victoria Theatre.
London
- marquee and ticket Sep. 21, 1975
Sep. 22 Amsterdam,
Holland It
was once thought a gig may have taken place here, but it seems that was not the
case. A month earlier, Derek said in an
interview that the band had three European gigs lined up in December before
heading back to the States. Amsterdam
would have actually made four.
Sep. 23 Rotterdam,
Holland De Doelen This
was in a venue described as having excellent acoustics. The concert was late beginning, but the crowd
of 1,500 - 2,000 fans was quiet and respectful.
It’s been stated that members of the band Kayak were among these
attendees. An advertisement in the Dutch
music magazine Oor mentioned the addition of a
support act but did not name the act.
Several fans in attendance actually recall there being no opener at
all. One critic in attendance absolutely
hated the performance and gave it a scathing negative review in the Dutch
press.
Rotterdam
ad Sep. 23, 1975
Sep. 24 Frankfurt,
Germany Jahrhunderthalle A
tape exists of this gig. After the
encore, the crowd continued to applaud wildly.
Derek eventually came back out and thanked them but the band did not
play again. Some evidence suggested the
possibility that the venue was changed at the last minute to Festhalle Messgelande, but the
fan who originally taped the performance confirms it was indeed held at Jahrhunderthalle.
There may not have been an opening act at this show.
Frankfurt
poster Sep. 24, 1975
Sep. 28 A small amount of music recorded in
“King Biscuit” radio broadcast notice Sep. 28, 1975
Oct. 1 Largo,
Maryland Capitol
Center Once
again, Giant opened for old friends Jethro Tull at
this large 18,000 seat arena.
Originally, this date caused much confusion as it does not appear in a
GG ad run in Billboard at the time.
However, they definitely were there.
There is written documentation, plus a number of eyewitnesses have come
forward with clear recollections of them opening the show, even remembering
watching them on a large projection screen.
In fact, a few reports through the years have hinted at the possibility
of additional pairings of Tull and Giant around this
same time period, though that is not confirmed at all. There is also a rumor, based on an old,
mislabeled bootleg record, that Giant played the
Hollywood Palace in nearby Ellicott City, Maryland around this time but that is
unlikely. At this Largo show, although
most of the crowd was kind to Giant, there was apparently a small portion of
the crowd who were quite vocal in their displeasure with having to sit through
the opening set. A partial tape of Tull’s set exists and there is a rumor that Giant’s set may
also have been recorded but, if so, it has not surfaced.
Largo
ad Oct. 1, 1975
Oct. 3 White Plains, New York White
Plains Music Hall Giant was the
first act to perform at this brand new concert venue, along with their support
act, Gary Wright. During the clavinet
introduction to Experience, Kerry is reported to have found his
instrument to be out of tune. Using a
tuning wrench, he quickly opened the lid and tuned it, then went on as if
nothing had happened. A tape exists,
allegedly recorded at this concert, although questions have arisen as to
whether this tape may actually have been made at a different show. On the recording, the intro tape leading into
Cogs in Cogs at the beginning of the show didn't work, nor did
the "breaking glass" tape normally used to lead into The
Runaway. However, at least three
fans in attendance recall both tapes working fine. Additionally, the recording includes the instrumental
Plain Truth intro before Ray's violin solo, but one of these same
fans remembers Ray jokingly trying to start to play without his instrument,
then retrieving it and beginning his solo without the rest of the band. Regardless of the tape’s origin, the complete
performance was released on the Glass House ENDLESS LIFE CD in 2002.
On Reflection and Proclamation from it have also
been included in the 2013 compilation album MEMORIES OF OLD DAYS.
White
Plains article and photos from review
Oct. 3, 1975
Oct. 4 Boston, Massachusetts Orpheum
Theater Opening this show
was a blues act from the Boston area, the James Montgomery Band. Harmonica player James Cotton supposedly sat
in on a few songs with the opening band.
A tape of Giant's performance exists.
The crowd was so supportive on this night, that they continued to yell
and cheer for quite a while after the show was over, even after the house
lights had been turned up and half the band’s gear had been torn down. A woman with a British accent, possibly
someone associated with the band, finally had to take the stage and politely
ask the audience to go home.
Oct. 5
Buffalo
ad Oct. 5, 1975
Oct. 6 With
a night off before their Hempstead, NY radio broadcast described below, the
band took the opportunity to see a concert of their own, all five attending a
Weather Report show at the famous New York City nightclub, the Bottom
Line. Miles Davis was also in the
audience.
Oct. 7 In
Hempstead, New York at Ultrasonic Recording Studio, Giant performed in front of
a studio audience of less than 100 people.
The room was the size of a small gymnasium with the band set up on one
end with no stage and no special lighting effects. The fans sat on the floor. The concert was broadcast live over New York
City's WLIR radio, as part of that station's regular series of broadcasts from
Ultrasonic Studio. Approximately two
thirds of the broadcast saw official release in 2005 on LIVE IN NEW YORK
1975 on the Glass House label. On
July 14, 1976, a portion of this concert was also broadcast in England on the BBC
Rock Hour radio program.
It had been
previously assumed that Giant made another promotional appearance around this
same time at an unknown
Oct. 8 Lowell,
Massachusetts University
of Lowell On this night,
Giant was scheduled to open, for the first time, for Rick Wakeman
and they did indeed arrive in town.
However, according to a review in the Connector, the college
newspaper, the ever extravagant Wakeman’s equipment took
up so much space on the stage that Giant had no room for their own gear and
decided not to play. There may have been
more to the story but, whatever the case, Wakeman
played alone to a sparse audience and lost the University over $2,000 in the
process. The Connector stated
that, had Giant performed, the event would’ve lost an additional $1,500. Derek and Kerry did manage to record an
interview for the college radio station which was broadcast on November 18.
Oct. 9 Waterbury, Connecticut Palace
Theater opened for
Rick Wakeman.
A tape of this concert exists.
Oddly, although the band did play the song Experience at
this gig, they did not play The Runaway which usually led into
it. It appears that Wakeman
and Giant were originally scheduled to play on this evening at the Allen P.
Kirby Field House at Lafayette College in Easton, Pennsylvania. Why the gig was changed to Waterbury is
unknown.
Oct. 10 Philadelphia, Pennsylvania Spectrum
preceded
by Larry Coryell and the Eleventh House and followed by Rick Wakeman. A tape
exists of this show and was officially released by Glass House on their PROLOGUE CD. Surprisingly, this was the very first time
the group ever played in Philadelphia, a fact Derek confirmed from the stage. Two fans described the concert as being “not
well attended”. Another two reports have
a good number of Giant fans leaving before Wakeman’s
set. In its review, the Villanova
University newspaper The Villanovan ran the headline “Giant Outshines Wakeman at Spectrum”.
A 1976 Philadelphia Inquirer article referred back to this show,
stating that the boomy acoustics of the large
Spectrum were not favorable for GG’s delicate interplay of instruments. The bill for this show was not firm until
close to the day of the show. GG’s
participation was initially listed as “tentative” while Italian band PFM was at
one point advertised as being involved instead of Larry Coryell.
Philadelphia
backstage pass Oct. 10, 1975
Oct. 11 New York, New York Academy of Music White
Lightnin’ was the opening act and had to endure quite
a bit of booing from the audience. There
were some technical difficulties at this show with some of the slides being
shown at wrong times. Two separate
audience tapes of this show are known to exist.
One of them is mostly complete and the other, while incomplete, does include
a few bits and pieces not found on the first tape. During an interview held the following day,
band members were complimented on the quality of this particular
performance. When asked for an
explanation, Ray joked that it must have been because Gary was wearing “new
shoelaces”.
New
York’s Academy of Music ad Oct. 11,
1975
Oct. 13 Gentle Giant's eleventh BBC session,
recorded on Sept. 16, was broadcast on Sounds of the Seventies, hosted
by John Peel. It was re-broadcast on
Dec. 9, 1975.
Oct. 14 Kalamazoo,
Michigan Old Central
High School - Chenery Auditorium This
gig was canceled one day before showtime, due to only
250 tickets being sold. Premier Talent,
the talent agency handling this tour for Giant, apparently did not deliver a
signed contract to the show’s promoter until one week before the show. This simply did not allow the rightfully
angry promoter enough time to advertise sufficiently. Interestingly, the band’s record label
provided copies of the Power and the Glory single to be given
away to all who purchased a ticket, but even this promotional gimmick came too
late to save the show. Originally, Gary
Wright was planned as the opening act but at the last minute, Premier Talent
substituted White Lightnin’.
Kalamazoo
- concert canceled at last minute Oct.
14, 1975
Oct. 16 Chicago, Illinois Auditorium Theater This
was a poorly attended show with the hall only half full, a fact that Derek
commented on from the stage, thanking those that did attend. Nonetheless, Gary does recall the band
playing fairly well this night. Gary
Wright opened and Giant headlined. In
addition to this date, an unsubstantiated report also has GG opening for Rare
Earth at a relatively small Chicago venue while touring in support of their FREE HAND album in the second
half of 1975. Two separate Chicago gigs
on this tour seems unlikely.
Chicago Oct. 16, 1975
Oct. 17
Oct. 18 Cincinnati, Ohio Riverfront Coliseum This
was a brand new facility and this was the first major concert attraction held
there. The venue seats over 17,000 but
on this night was arranged in “theater setup” with only 7500 tickets put on
sale. On this night, Giant opened for
Rick Wakeman. Procol Harum was supposed to
appear second on the bill but was unable to, due to their equipment truck
breaking down in West Virginia. Giant
agreed to let Procol use their equipment, but Wakeman vetoed the idea.
Procol may have also asked to play last to
give their equipment time to arrive, but Wakeman was
not keen on that idea, either. Whatever
the case, this all led to a nasty scene backstage between Wakeman’s
road crew and members of Procol Harum. After Giant’s set, Procol
band member Keith Reid tried to take the stage and announce to the crowd why
they weren’t playing, but Wakeman’s crew stopped
him. In fact, no announcement at all
about Procol was made until the end of the
evening. After the show, the battle went
public as Procol’s Reid and Gary Brooker took to the
airwaves over Cincinnati's WEBN radio to complain about the situation. Wakeman himself
heard this broadcast and phoned in to rebut against what he called “lies”. A local newspaper, in its review of the show,
described GG’s performance as “lackluster”, an assessment shared by at least
some of the crowd who were heard booing during their set. A fan reports that Ray broke a string or two
during his violin solo. However, this is
not apparent on a tape that exists of the show.
Possibly, the fan actually witnessed the unraveling of some of the horsehair
on Ray’s bow. An early ad listed Peter
Frampton as being second on the bill, but that was quickly changed in later
advertising to Procol Harum.
Oct. 19 Indiana, Pennsylvania Indiana University of Pennsylvania - Fieldhouse opened
for Procol Harum. One report has Alex Harvey possibly
appearing, but two other reports refute this, making it unlikely. It had been previously assumed that this show
was held in Indianapolis, Indiana, possibly at the Fairgrounds Coliseum. However, the concert map on the inside cover
of Giant's 1977 live album, PLAYING THE FOOL, shows the band
leaving Cincinnati after Oct. 18 and heading east, away from the state of
Indiana. Whereas this album cover lists
all other concerts by city, the Oct. 19 concert east of
??? Dallas,
Texas Electric
Ballroom Although
also unconfirmed, a fan who saw the band at the Chicago Auditorium with Gary
Wright specifically recalls seeing them again at this Dallas venue shortly
afterward. This fan may be confusing
this with a different Electric Ballroom show, but fan does remember a largely uninterested
audience with only about ten rows of enthusiastic listeners and the rest of the
crowd not paying attention or milling about in back.
In an
interview on Oct. 12, members of the band said they were considering taping an
appearance for the American television show, Don Kirschner's
Rock Concert a week later, but they had not yet committed to the idea, as
they were concerned over retaining control over the final mix. It is unknown if this ever took place.
Oct. 21
Oct. 22
St. Louis ad Oct.
22, 1975
Oct. 23 Vancouver, British Columbia Commodore Cabaret Ballroom Here, GG was supposed to open for Status Quo
but, due to illness, Status Quo canceled about a week before the scheduled
date. REO Speedwagon
was brought in as a last minute replacement as headliners. This dancehall venue held approximately 1,000
people. It had a low stage and was set
up in such a way that the front of the audience could be right up next to the
performers. The crowd at this gig
cheered for quite a while after GG played, hoping they would be rewarded with
an encore, but to no avail. According to
a review in the Vancouver Sun, half the crowd then proceeded to leave before
REO even took the stage. One fan at the
show actually thinks the percentage of people who left after Giant’s set was as
high as 80 percent.
Oct. 24 Portland, Oregon Paramount Theatre opened for the Strawbs. A tour ad in Billboard originally listed
this date as Oct. 26.
Oct. 25 Seattle, Washington Moore Egyptian Theater Starting the show was a piano player/folk singer named Bette
White, followed by Giant and the Strawbs as
headliners in this quite intimate theater setting. Many in the audience were apparently there to
see Giant, as two thirds of the crowd were reported to have left by the Strawbs' third song.
Even the Strawbs' Dave Cousins, when recently
recalling this particular gig, commented that Giant blew his own band
away. In fact, Cousins has also claimed
that Giant was the only band he ever shared a stage with that intimidated
him. Billboard originally listed
this show as taking place on Oct. 24.
Seattle Oct. 25, 1975
Oct. 28 Berkeley, California Community
Theater As had happened
the previous night in Seattle, folk singer Bette White played first and GG
played second, both opening for the Strawbs. A tape of this gig exists and has been
released on the Glass House ENDLESS
LIFE CD while.Free Hand from it appears on the MEMORIES OF OLD DAYS
compilation.
Oct. 30
Nov. 1 Los Angeles, California Shrine
Auditorium Gary
remembers there being problems with the lights at this show. There is a strong possibility that the Strawbs were again scheduled to headline before
canceling. As it turned out, Giant
headlined while a singer/keyboard player by the name of Tom Snow had the bad
fortune of opening the show and being heavily booed.
Los
Angeles ad and backstage pass Nov. 1,
1975
Nov. 2 San Diego, California Golden
Hall Some
evidence indicated this show was held at the Civic Center, right across the
street from Golden Hall, but that has been discounted. GG opened for the Strawbs. Although Giant reportedly had no trouble during
their set, the Strawbs had a bus breakdown and had to
begin without a proper soundcheck. This caused a number of technical problems
for them during their set. On an
existing tape of this show, Derek tells the audience that this is the last gig
of the band's present North American tour, making the next two dates
suspicious.
San
Diego ad and backstage pass Nov. 2,
1975
Nov. 5 New York, New York Academy of Music This
is a totally unsubstantiated date that has been postulated for a long while but
has always been questionable. More
recently, a couple different eyewitnesses have recalled a date at the Academy
of Music from around this time when Giant shared a bill with the Strawbs, the Pretty Things and Spooky Tooth though, again,
no hard evidence has surfaced.
Nov. 7 Detroit, Michigan Cobo Hall It is very
unlikely that Giant played Detroit on this date, although such a gig is listed
in the inside gatefold of the 1977 PLAYING THE FOOL live
album. It certainly did not appear on
any advertised tour schedule. Reliable
sources actually place Dave Mason and Little Feat at Cobo
Hall on Nov. 7.
It is
extremely unlikely, but there has been speculation about an unusual gig taking
place sometime in the second half of the 1970’s. One fan has vivid recollections of Giant
playing at the “Arcosanti Arts Festival” at some
point. Arcosanti
is an experimental town under construction since 1970 in the Arizona desert 65
miles north of Phoenix. Between 1975 and
1978, they staged their Arts Festival as a fundraising project, often drawing
name acts such as Jackson Browne, Stephen Stills and Richie Havens. The fan remembers Giant putting on a "raw" show
with no special lighting and being initially booed by "rednecks" in
the crowd who eventually wandered off.
This left GG to play a fine set in front of a very small audience of
only 50 people or less. If Giant did
appear, it would have had to have been in either 1975 or 1976, as the group was
not in the USA during the other Festivals.
The 1975 event was in early November while the 1976 event was in late
October, both times when they could theoretically have participated. Unfortunately, no contemporary press coverage
has been found that mentioned Giant, and archivists at Arcosanti
have been unable to find any record of the band's participation in any concerts
in their town's history. Barring any
other evidence coming to light, the fan's recollections seem to be incorrect.
??? Dallas,
Texas Electric
Ballroom A fan who
saw the band at the Chicago Auditorium with Gary Wright specifically recalls
seeing them again at this Dallas venue a few weeks later. The Chicago gig in question was most likely
the Oct. 16 date listed above, placing this
Nov. 10 Oslo, Norway Chateau Neuf A full house of
around 1500 fans attended this show.
Nov. 12 Stockholm, Sweden Karen Karen, or Karhuset, as it was
sometimes referred to, was not technically part of Stockholm University but was
operated by the faculty of that University as a Student Union. For this concert, it was privately rented by
one of the University's students who then booked Giant. On occasions like this, the hall was renamed
“Club Karen”, as it was whenever a concert or dance night took place. The show, attended by approximately 2,000
fans, was recorded by Sweden's Radio 3 and then broadcast in edited form at a
later date, possibly a week later. This
edited broadcast version had been heavily bootlegged through the years, but now
has been officially released on the LIVE
IN STOCKHOLM ’75 CD, produced from Swedish Radio’s master tape. A slightly different edit of this show was
also re-broadcast in January of 1976 as part of the Tonkraft
series. The original producer at Radio 3
attempted to locate any remaining portions of the concert that were not
broadcast and therefore not released, but was unsuccessful and now believes
they no longer exist.
Nov. 13 Copenhagen,
Denmark Hard Rock Cafe This concert was
scheduled and advertised, but ultimately canceled. Supposedly, the stage at the venue was too
small, so the band pulled out at the last minute. A notice was pinned to the door of the venue
informing the arriving fans of the sudden cancellation. One rumor floating at the time was that, upon
canceling the show, the band drove off to somewhere in Scandanavia. Perhaps another gig was scheduled there for
the next night, but this is pure conjecture.
Copenhagen
- ad for canceled show Nov. 13, 1975
Nov. 14 It is believed that this was the
official release date for the band’s first compilation album, entitled GIANT
STEPS, although there are indications that some record shops had the album
by Nov. 1. It included songs from their
first six studio albums. It also
included the song Power and the Glory, previously only available as a
single. It was released in
Nov. 15
Hannover
ticket Nov. 15, 1975
Nov. 16 Berlin, Germany Hochschule der Kunste This concert took place in a venue
normally used for more "serious" concerts. Therefore, the atmosphere was more
sophisticated than that of a typical rock concert. A contributing factor to this could have been
the stage's neat, clean appearance since, at the time, all of Giant's
amplifiers and equipment were hidden behind wooden frames covered in
fabric. These frames also held the
twinkling white lights which flashed during the 5-man drum bash.
Nov. 17 Dusseldorf, Germany Philipshalle A tape of this
show exists.
Nov. 18 Hamburg, Germany Musikhalle There may have
been no support act at this show. In
fact, very few support acts are known from this time period, so Giant may have
frequently played alone.
Hamburg Nov. 18, 1975
Nov. 20
Nov. 21
Nov. 22
Nov. 23 KMET Radio
in Los Angeles, California broadcast a live Gentle Giant set at 6:00 P.M. on
Sunday, Nov. 23. Cash Box
announced that the set had been recorded a month earlier in “Gotham”, a common
nickname for New York City. The band could
have recorded something specifically for KMET while they were in the New York
area on or around Oct. 11, similar to what they had done on Feb. 13 in West
Hollywood. Alternatively, the radio
station could have simply arranged to re-broadcast the Oct. 7 studio session
from Hempstead, New York. More specifics
are unknown at this time.
Cash
Box notice about Los Angeles
radio broadcast Nov. 23, 1975
Nov. 24 Basel, Switzerland Festsaal Mustermesse A tape of this concert exists.
Nov. 25
Nov. 26
Nov. 27 Zurich, Switzerland Volkshaus There is an
existing tape of this gig.
Zurich
poster Nov. 27, 1975
Nov. 28
Nov. 29 Paris, France Olympia A
portion of this concert was broadcast over AM radio in Paris, but it is
uncertain whether it was broadcast live or at some point after the concert took
place. During the broadcast, a French
announcer translated all of Derek’s English introductions. A gig had been previously advertised at Turfschip in Breda, Holland on this date.
Nov. 30
Dec. 1
Amsterdam Dec. 1, 1975
Dec. 2 Rotterdam,
Holland De Doelen This
is an unconfirmed date.
Dec. ? A rumor has been floated that the
band was filmed around this time for Dutch VARA TV. Specifically, it’s been suggested this
filming may have taken place on Dec. 2, possibly at the above listed alleged
Rotterdam concert, but this is far from clear.
So far, no evidence to confirm any new filming has surfaced. December could very well have simply been
when VARA re-broadcast the German ZDF-TV Sonntagkonzert
first aired on Aug. 10. On the other
hand, Dutch TV did broadcast some sort of Gentle Giant concert on June 26,
1976. More information is needed.
In
December, Giant finally brought a tour to
UK tour ad Dec. 1975
Dec. 5 Norwich, England University of East Anglia One
fan who managed to meet the band backstage saw them playing a word game which Ray
told him they sometimes did to alleviate the boredom of being on the road. For instance, Ray presented the phrase “an
abundance of prehensile extremities lessens the onerous burden” while his
bandmates had to guess the simpler translation of “many hands make light
work”. It’s believed that Michael Moore
was scheduled to open.
Dec. 6 Leeds, England Leeds University - Student Union Michael Moore was the opening act.
Dec. 7 London, England Hemel Hempstead - Pavillion Michael Moore was the opening
act. The Pavillion
was a somewhat small, modern hall and although, by one account, GG was well
received, one fan does remember them as being too loud for such a small
venue. However, a reviewer in Sounds
said the sound quality was excellent.
Incidentally, this review was one of very few reviews the UK press even
bothered to publish about this particular homeland tour.
Dec. 8 Birmingham, England Town
Hall Michael
Moore was the opening act.
Birmingham
poster Dec. 8, 1975
Dec. 9 The BBC re-broadcast the band’s Sep.
16 session as part of the John Peel Show. After playing the final song, Free Hand,
Peel mistakenly introduced the band as Supertramp,
before quickly correcting himself.
Shortly after this, Peel lost interest in many of the progressive bands
of the day. He soon became a champion of
the emerging punk scene.
Dec. 9 Manchester, England Free
Trade Hall Michael
Moore was the opening act.
Dec. 11 Bristol, England Colston Hall Michael Moore was
the opening act.
Dec. 12 Cambridge, England Corn Exchange Michael
Moore was the opening act.
Dec. 13 Liverpool, England Liverpool Stadium The
crowd was large and appreciative.
Michael Moore was the opening act.
Dec. 15 Derby, England King's Hall This
gig was a late addition to the tour and was originally scheduled for Dec. 18,
but it was moved up to Dec. 15 for unknown reasons. Michael Moore was the opening act.
Derby
poster Dec. 15, 1975
Dec. 16 Newcastle, England City Hall There
was an opening act and it may indeed have been Michael Moore again, but one
report has folk singer Richard Digance opening. This concert was not terribly well attended.
Dec. 17 Sheffield, England City Hall Michael
Moore was the opening act.
Dec. 19 Portsmouth, England Guildhall Michael Moore
was the opening act.
Portsmouth Dec. 19, 1975
Dec. 22 Plymouth,
England Guildhall Michael Moore
was the opening act. Melody Maker
reported that, on this date, the group played again in their hometown of
Portsmouth, just three days after already playing there. However, they most likely appeared on Dec. 22
in Plymouth, the Melody Maker report probably being just a
misprint. A flyer exists advertising the
Plymouth engagement, describing it as a “Christmas Concert”.
Dec. ? Chatham,
England Central Hall Although
unconfirmed, there is some evidence that Giant played a gig in Chatham during
this tour, again possibly with Michael Moore.
Dec. ? Wales It
is rumored that the group also played one show somewhere in Wales at this
time. No details are known.
Go on
to Part Six
Return
home to Gentle Giant
Tour History