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Part Two
Return home to Gentle
Giant Tour History
Gentle Giant
Tour History
***
Part One ***
***
The Early Days ***
(1970 -
1971)
new information will be in RED
*
Prologue *
Gentle Giant was formed by the three
Shulman brothers (Phil, Derek and Ray), all of whom had earlier been in the
late '60's British pop/soul/rock and roll band known as Simon Dupree and the
Big Sound. This earlier group, formed in
1966, played all around England for about four years, enjoying the odd TV and
radio spot, as well. They managed one
album and one UK Top 5 single, but failed to make any lasting impression on
England's pop music scene. By the end of
1969, the Shulmans decided to disband Simon Dupree and set their eyes on the
growing market for a more creative, intelligent type of music that eventually
came to be called progressive rock. Simon
Dupree may have stayed together long enough to complete contractual obligations
into January 1970, as a number of gigs are known to have been advertised,
including an appearance in Bath on Jan. 23.
Some, or even all of these concerts may very well have been canceled,
but one published Simon Dupree source did mention Bath as being that band’s
final gig. Another show in Derby was
even announced for February 26, but it’s very unlikely that particular show
went ahead as planned.
Whatever the case, by February 1970, they
had formed their new group, retaining Martin Smith from his time at the tail
end of the previous group, and adding new members Kerry Minnear and Gary
Green. Derek and Kerry have both stated
that the group originally hoped to simply call themselves Giant, but an
alternate name was suggested by a booking agent named Colin Richardson who
worked at their management company, the Gerry Bron Agency. Richardson noticed the music they had begun working
on had both powerful and delicate qualities, so he proposed the longer name
Gentle Giant and the band agreed. This
new group strove for a sound that was adventurous, challenging and distinctly
its own. Right from the start, their
compositions seemed to be equal parts rock, jazz, classical, avant-garde,
blues, medieval, and whatever else they could mix into the musical stew. They were ambitious, to say the least, but
with their vocal and multi-instrumental virtuosity, they were confident that
they could realize their vision.
1970
Feb. ? Gentle
Giant was formed, classically-trained Kerry Minnear being recruited on
keyboards from a defunct band called Rust just returning from Europe. Formal rehearsals and songwriting sessions
began immediately in Portsmouth, England.
Kerry brought Rust’s guitarist, a gentleman named Eric Lindsey, into the
band with him so it could be said that Lindsey was Giant’s first official
guitar player. However, it was clear from
the start that he wasn’t really right for the job so his stay was short. After a few weeks, he was let go and the band
immediately began looking for someone to permanently fill the guitar spot.
Mar. ? During
March, Gary Green joined Gentle Giant.
Many, many guitarists auditioned for the spot over a period of a few
weeks, with the Shulman brothers viewing Gary as clearly superior. Gary has stated that, by the time of his
arrival, the musical framework for a number of songs had already been mapped out.
Apr. ? In
April, the brand-new band went into London’s Marble Arch Studios, run by
Philips Records, for their very first recording session. The intention was to record some early songs
they had developed as an audition tape for the progressive leaning Vertigo
record label, Philips being Vertigo’s parent organization. The liner notes included with the 1997 UNDER
CONSTRUCTION album state that this happened on Feb. 23, but that is clearly
wrong, as Gary had not even joined the band by that date. Kerry has confirmed April as the correct
month of this session. The songs on the
audition tape were Weekend Cowboy, Bringing Me Down and an early
version of Nothing at All.
Apparently, the band did sufficiently impress Vertigo, as the label did
end up signing them to their first record contract shortly after. There has been some indication that Weekend
Cowboy and Freedom's Child were at one point intended for release as
a single and, in fact, early advertisements did suggest a single was planned for
later in the year, but the truth of this has not yet been verified one way or
the other. Whatever the case, all these
songs remained unreleased until their inclusion on UNDER CONSTRUCTION.
For the
first few months of its existence, Giant spent their time shaping the musical
direction of the band. They did not
immediately concentrate on live performance, instead doing a lot of writing and
a lot of rehearsing in a cottage in Southampton. At the time, they mostly lived off profits from
the Simon Dupree days and financial support from their manager, Gerry
Bron. Eventually, by mid-1970, the group
began playing sporadic live gigs to test out their material and their stage
presentation. As the year wore on, they
hit the stage more and more often. The
vast majority of these gigs were in England, the band rarely venturing onto
continental Europe. It was customary for
live bands at the time to display their band name on their bass drum. Following suit, Martin’s bass drum was decorated
with a particularly elaborate, colorful design painted by yet another Shulman
brother, Terry Shulman. The head of this
bass drum has been spotted hanging on the wall in a couple Hard Rock Café
restaurants in America.

Ad for Gerry Bron
Organization 1970
After
devoting several months to songwriting and rehearsing, Giant had a decent
amount of material from which to choose when they started playing live,
including all of the songs that would later turn up on their first album. They are known to have played all seven of
these songs live, though not all at every concert, and the order was
undoubtedly switched around from time to time.
Choosing from these songs allowed them to feature each of the players on
a variety of instruments. Switching
instruments back and forth became one of their trademarks. The band members became so comfortable with
these seven songs that material from their first album continued to make up the
bulk of their setlists well into 1972.
Unlike many
other bands, Giant never played cover songs on stage, only original
material. Below are listed only the
songs confirmed to have been played in concert during their first year or so of
live gigging.
TYPICAL SETLIST
(Mid 1970 - Late 1971)
Giant
Funny Ways - Kerry’s vibraphone
solo was much more subdued originally than the frantic renditions he played on
later tours.
Alucard
Isn’t It Quiet and Cold?
Nothing At All - This song, in particular,
showed off the group’s versatility as it included a percussion break that not
only featured Martin Smith but, according to Kerry, also saw he and Ray
pounding on the drums. It’s been said
that Derek ended this break by beating a gong.
Eventually, in later years, this evolved into a full 5-man drum bash,
still including Derek’s gong. This is
also the only live number on which Kerry played the bass guitar.
Why Not?
Plain Truth - This song eventually
appeared on the second album, ACQUIRING THE TASTE. It served as a vehicle for Ray Shulman’s
violin solo which became a fixture on many future tours. Like Kerry’s vibraphone solo described above,
this solo was, at first, a bit more reserved but, in later years, Ray extended
it and added quadrophonic echo effects, turning the song into quite a crowd
pleaser.
Hometown Special - never included on any of their
regular albums, though it saw release many years later
City Hermit - also never included on
a regular GG album, but released many years later. On stage, the band originally referred to the
song by the name City Hermit, Me.
Weekend Cowboy - Gary has confirmed
that this song was played at least at the first couple gigs, although it seems
to have disappeared from the set quickly.
Autumn - another original song from the early
days, confirmed by Gary who says he played bass on it, an unusual occurrence
indeed. No recording is known to exist.
Evil Woman - yet another early song,
confirmed by a couple band members, as well as by an early associate of the
band. It used a 12-string guitar chord
pattern that was recycled and played on 6-string on the song Betcha Thought
We Couldn't Do It many years later.
No recording is known to exist.
The Queen - generally used to end
the main set, giving the band members a chance to thank and say goodbye to the
audience
Peel Off the Paint - Sometimes used as an encore, this song could be
considered an early precursor to Peel the Paint from the third
album. However, although the lyrics were
very similar, the music was quite different in nature. It included an extended guitar solo.
Sadly,
very few live recordings from the early days of the band exist, so it’s not
known if any other original songs were tried and dropped early on. If so, they have now disappeared from memory. It’s also unknown if Bringing Me Down
or Freedom's Child were ever
included in their stage shows, although Gary concedes a possibility that Freedom’s
Child may have been played at their very first concert, listed below.
May
9 Portsmouth, England Portsmouth Polytechnic - Union
House
Contemporary
write-ups in a Portsmouth newspaper verify this as being Gentle Giant's very
first gig, an event further corroborated by a recently discovered concert
poster. A 1973 issue of Melody Maker
also makes reference to the band’s first public performance as having been in
their hometown. Beginning in 1965, Union
House held the college’s Student Union facilities. The four-story building contained not only
Union offices and meeting rooms, but also a couple bars, a lounge and even a
travel agency. It also contained a hall
used for concerts such as this one, the hall being simply called Union House
Hall. The Union’s Entertainment
Committee that would book these events would then use the name “Soc Scene” to
promote them. In 1991, Portsmouth
Polytechnic merged with Portsmouth Art School and the following year, the college
was renamed University of Portsmouth, as it is still known today. Gary Green has described this as a “tune-up
gig” and the band members were quite nervous. Giant was the headline act with
Fairfield Parlour serving as the opener.
This support band was managed by BBC deejay David Symonds and already
had its first single getting some radio airplay. This raises the question of why Giant, a band
with no gigs under its belt, was granted the headline position. It can only be assumed that, while Fairfield
Parlour was a London based group, Giant’s status as local Portsmouth residents
worked in their favor. Simon Dupree and
the Big Sound had been hometown heroes and it may be assumed that many in
Portsmouth would be interested in seeing what the Shulman brothers had come up
with next. In fact, the concert poster
even stated that the “exciting new sound” of Gentle Giant would feature “ace
singer Simon Dupree”. The band’s exact setlist
at this premier concert cannot be determined, although it did include a rare
performance of Weekend Cowboy and they definitely ended with The
Queen, a tradition they continued for quite a while afterwards. As stated above, Gary has said that Freedom’s
Child may possibly have been played at this first concert, as well, but he
cannot confirm that. The hall had no
seats, requiring all in attendance to stand.
Perhaps 1,000 or a bit more could safely fit inside, although fire regulations
were known to be ignored from time to time.
Unfortunately, although the Portsmouth Evening News gave an
encouraging review, the newspaper also described the turnout for Giant as
“disappointing”. The Student Union moved
out of Union House in 1983. The original
building is now a gymnasium run by the University.

Portsmouth Polytechnic - the band’s
very first gig May 9, 1970
May
22 Glasgow, Scotland Morpheus
CANCELED. This popular
Glasgow night spot had previously been known as the Maryland Club and had just
recently changed its name. The ad shown
below was published in Glasgow’s Eastern Evening News on April 23, at a
time when the Shulman brothers’ new band was completely unknown. They had not yet appeared publicly on stage,
they had no records out, and they had not done any radio appearances. It is therefore no surprise that the name
“Simon Dupree” was included in the ad, to at least give the audience a hint as to
whom to expect. Unfortunately, Giant did
not end up playing this gig. A May 20
notice published in the same newspaper indicates that they had been replaced on
the bill by two other bands, one called East-West and the other called Three in
the Morning. Giant did get booked a
second time at Morpheus on Nov. 27, 1970.

Glasgow - early canceled appearance May 22, 1970
June
6 Exeter, England Exeter University
UNCONFIRMED. GG was set
to open for Van Der Graaf Generator on this date. Members of the headlining band arrived in
town early and did some sunbathing. It
was quite a hot day, however, and one of them ended up with sunstroke and had
to be hospitalized. A member of VdGG has
confirmed that his band went ahead and played the gig anyway without the
hospitalized member. That leaves the
question of whether Giant played its opening set. Gary seems to recall that they may not have,
but this is still open to debate.

Exeter ad - unconfirmed concert June 6, 1970
June
20 Hamburg, Germany Klein Flottbek
Giant appeared,
along with a roster of all British acts, on the first day of the two day
“Hamburg Open Air Pop Festival”, more commonly known as the "Big Gig
Festival”. This was one of the few
concerts GG played outside of England in 1970.
Other bands that appeared on the same day included Humble Pie, Black
Sabbath, Steamhammer and Uriah Heep, while Colosseum, Family and Juicy Lucy
were among the acts that played on June 21.
This was the first time the band got to meet the members of Black
Sabbath, with whom they would appear many times over the next few years, and
they reportedly got along quite well.
Derek specifically recalls discussing the Beatles with Ozzy Osbourne, as
they were his favorite group. This
festival was held on a very hot weekend in a 20,000-seat outdoor venue and it’s
estimated about 10,000 fans actually attended over the course of the two-day
event. Two stages were employed to cut down
on delays between acts. A press review
described how, when the festival began, people living nearby became quite upset
at the loud volume. Residents up to four
kilometers away phoned to complain.
Festival organizers did eventually end up turning down the volume a
bit. Being a new band, Giant probably
played early in the day, though it’s not known if their volume was found
offensive. A tiny bit of GG’s
performance has shown up on a German newsreel but whether more exists remains
to be seen.


Hamburg - “Big Gig Festival” June 20, 1970
June
25 London, England Haverstock Hill Country
Club
This was billed as
a special promotional appearance of some sort, with no other bands taking part.

London - Haverstock Hill ad June 25, 1970
June 29 Apparently, a contract exists in the
BBC’s archives for the band to record a studio session on this date, with the
intention that it air on deejay Terry Wogan's afternoon radio program. However, there are no further indications
that a recording or a subsequent broadcast ever took place.
July 2 London, England Speakeasy
July 4 Portsmouth, England Greyhound
Stadium
This was an
open-air festival billed as "Popday '70" and promoted as a
“progressive extravaganza”. Also on the
bill were ten other bands, including the Strawbs, the Keef Hartley Band, East
of Eden and Uriah Heep. The master of
ceremonies was Mike Raven, who introduced each band. Melody Maker subsequently reviewed the
event poorly, claiming it had “a turn-out of about 300
people in a stadium capable of holding 10,000 and a house PA system that was
unbelievably bad”. Greyhound Stadium was a dog-racing track.

Portsmouth - “Popday 70 Festival” July 4, 1970
July 10 Birmingham,
England Mother's
GG
was the only live band performing on this date at this well-known Birmingham
club. However, in advertising for the gig,
they actually received second billing to BBC presenter Andy Ferris who was
providing deejay services.

Birmingham ad July 10, 1970
July 15 London, England Marquee Club
According
to records kept by the Marquee and published in the book London Live,
Giant was only ever booked to play three times at this famed London
nightclub. This was the first, the
others being on Sept. 14, 1970 and Nov. 24, 1971. Unlike many of their contemporaries in the
young progressive rock genre, Giant never secured a regular weekly residency at
the Marquee. They were never a
London-based band, preferring to use the Shulmans’ home town of Portsmouth as
their base of operations for most of the 1970’s. This may have been a contributing factor to
the difficult time they had later on gaining acceptance by English
audiences. On this night, they played in
support of Slade, who attracted a heavily female audience. Derek has said GG went down quite well and also
that they had a lot of fun working with Slade.

London ad - first Marquee Club appearance July 15, 1970
July 21 The band recorded their first verified
BBC studio session at the Playhouse Theatre in London, England. Two out of the three songs from this session,
City Hermit and Isn't It Quiet and Cold?, appear on the 1996
album, OUT OF THE WOODS and the 2000 album, TOTALLY OUT OF THE WOODS. The third song, Freedom's Child, is
missing.
Aug. 17 The BBC session from July 21 was broadcast
on Sounds of the Seventies, hosted by David Symonds. The other band having studio sessions on the
same broadcast was called Honeybus.
Simon Dupree had had a number of BBC sessions aired, but this was the
first confirmed time Gentle Giant appeared on British radio.

BBC Sounds of the Seventies - very first radio appearance Aug. 17, 1970
Aug. ? Their first full album, GENTLE
GIANT, was recorded at Trident Studios in London. They were fortunate to have attracted Tony Visconti,
best known for working with David Bowie and Marc Bolan, to produce the
album. It took only a couple weeks to
record, but the group had been writing and rehearsing in preparation for this
since the beginning of their time together.
Aug. 29 The UNDER CONSTRUCTION liner
notes state that on this date, at Trident Studios, the band recorded Freedom's
Child and Hometown Special.
In that case, these two songs would certainly have been recorded as part
of the overall recording sessions for the first album, although they did not
see the light of day until their inclusion on UNDER CONSTRUCTION.
Sep. 10 Eastleigh,
England Concorde Club
The Concorde Club is a still active music venue just north of
Southampton. GG performed a number of
times in the Southampton area during their early years, the city being only
about 20 miles from their home base of Portsmouth. Up until several weeks before this gig, the Concorde
Club was located inside the Bassett Hotel right in the city of Southampton, but
this Sep. 10 show was actually held at their newly opened Eastleigh
location. Records kept by the club show
that Simon Dupree and the Big Sound played there an amazing nineteen times,
although those same records only confirm this one appearance by Gentle Giant,
announced as “formerly Simon Dupree”.
Gary believes the band may have played more than once at the Concorde, including
possible very early dates at the Bassett Hotel itself. An archivist at the club points out that if
the band had any last-minute bookings, they may not have appeared in programs
or advertising at the time.

Easteigh ad Sep.
10, 1970
Sep. 14 London,
England Marquee
Club
shared
the bill with Czar and another band named Jenks

London ads - second Marquee Club appearance Sep. 14, 1970
Sep. 28 Ads in New Musical Express and other
UK publications confirm a BBC session as being broadcast on this date on Sounds
of the Seventies, hosted by David Symonds, more than likely a rebroadcast
of the earlier July 21 session. Also
appearing with sessions on this date’s program were Spencer Davis and Peter
Jameson.
Oct. 8 Martin Griffiths, the lead singer
for the Scottish band Beggars Opera, recalls a release party for that band’s
first album held at Ronnie Scott’s club in London on Oct. 8, 1970, Griffiths’
21st birthday. He remembers his
band playing with Gentle Giant as part of the celebration, both bands being
recently signed to Vertigo Records. This
may have been a private party, but it is unclear.
Oct. 9 London,
England The Temple
a
triple bill with Tear Gas on first, a band called Kiss playing second, and
Giant taking the stage last. This is not
the same Kiss that captured the hearts of heavy metal fans later in the 1970's,
although Giant and that band did actually follow each other at an American
venue on August 23, 1975. The Temple was
similar in design to the famous Cavern Club in Liverpool and was located down a
steep set of stairs from Ronnie Scott’s, a well-known London jazz
nightclub. On this particular night,
Kiss needed help getting their mellotron down these stairs, so two of Giant’s
roadies cheerfully gave them a hand. At
the conclusion of their set, Giant didn’t play a traditional encore, instead
playing some sort of loose jam. The
crowd was impressed with the band and, according to Kiss’ road manager, that band
became Giant fans this night.
Ironically, Kiss wasn’t even on the bill originally. Early ads showed the band Arcadium was
scheduled to play with Tear Gas and Giant, but later ads confirmed that Kiss
had taken their place.

London - Temple ads - original and revised bill Oct. 9, 1970
Oct. 10 Coventry,
England Lanchester
Polytechnic - Students’ Union
shared
a bill with Stone the Crows and Mead. Giant
was a little late coming out for their set, so one impatient audience member
jumped on stage and played a bit on Kerry’s vibraphone. In the Coventry Evening Herald, Giant
was advertised as “Simon Dupree’s New Group”.

Coventry ad Oct. 10, 1970
Oct. 16 Southampton,
England Reflections
Reflections was a new club that had just opened a month
earlier. It was located inside the
Bassett Hotel, the same establishment which had previously housed the more famous
Concorde Club, as explained earlier.
When the Concorde moved out, Reflections moved in. As also explained earlier, GG may have
performed additional times at the Bassett Hotel but, if so, records have not
been found.

Southampton Oct.
16, 1970
Nov. 13 Maidstone,
England Maidstone
Technical College
GG,
along with the band Ginhouse, both opened for Stray whose advertised lightshow,
according to an attendee, was quite impressive.

Maidstone poster Nov. 13, 1970
Nov. 14 Exeter,
England Exeter
University
UNCONFIRMED. For quite
some time, it was assumed that Giant played this gig where they were was
preceded by Quatermass, both opening for Ginger Baker's Air Force. There is certainly evidence to support this
but one online source now claims that Baker was actually supported by Arthur
Brown’s new band Kingdom Come in the University’s Devonshire House. Confirmation on exactly what happened is
needed. Regardless of who opened the show,
Baker himself had a bad night, being accused of arriving late, threatening
people from the stage, getting into a physical altercation with a doorman, and
a couple instances of lewd behavior. As
a result, the University withheld 100 pounds from his fee.
Nov. 24 Dortmund,
Germany Fantasio
Fantasio was an underground German club heavily tapped into the
current hippie culture. It only operated
between 1970 and 1971, but its owner who booked all the acts has confirmed GG opening
for Colosseum here on this date.
Nov. 26 Dundee,
Scotland Dundee
University
Nov. 27 On this date, their first album, GENTLE
GIANT, was apparently released by Vertigo in England, followed by European
releases over the next few months.
However, it was not originally released in America. This UK release date of Nov. 27 seems fairly
definitive, but album release dates are often very difficult to pin down
exactly. Even when a specific date was planned
and advertised, it sometimes got moved back or forward at the last minute. At times, it may have been leaked prematurely
in certain locales. For these reasons,
all release dates in this Tour History should cautiously be viewed merely as
best evidence available so far. Further
information is always welcome.

Ad for first album release Nov. 27, 1970
Nov. 27 Glasgow,
Scotland Morpheus
Giant’s
second booking at this club, although the first one back in May was
canceled. On this date, the band was
once again advertised as “Simon Dupree’s new group”. Derek has described this as a great
show. It was a celebratory event, held
on the day of their album release, but was also a bittersweet homecoming for
Phil and Derek, both having been born in Glasgow.

Glasgow press notice Nov. 27, 1970
Nov. 28 Kirklevington,
England Country Club
Dec. 1 The band recorded their second BBC
studio session, this time at London's Maida Vale Studio 5. The songs were Hometown Special, Nothing
at All and Funny Ways.
Unfortunately, this entire session is missing.
Dec. 2 Harlow, England Aquarius
Birdcage
shared the bill with Gnidrolog. Stewart Goldring of Gnidrolog remembers
Gentle Giant as being "not so gentle!"

Harlow ad Dec. 2, 1970
Dec. 5 London, England Bumpers
The band played this gig alone. Bumpers was a brand
new 600-seat club which was promoted in the press as having a “progressive
policy”. Advertisements showed a closed,
“invitation only” concert on Dec. 3, with the Dec. 5 Giant show being only the
second concert open to the public.

London - Bumpers ad Dec. 5, 1970
Dec. 8 The second BBC session was broadcast
on Sounds of the Seventies, hosted by Mike Harding. Studio sessions by the band Greatest Show on
Earth were also featured on this program.
Dec. 10 London, England Lyceum
opened for Colosseum. Ian Carr's Nucleus also played support on this bill.
A Melody Maker review called Giant’s music “twee” and criticized
the band’s frequent switching of instruments as being “pretentious for the sake
of it”. In an odd twist, this latter
phrase became a wry badge of honor for the band and even appeared as the title
of their 1977 compilation album.

London Lyceum - ad and infamous Melody Maker review Dec. 10, 1970
Dec. 12 London,
England Speakeasy
Photographer and friend of the band Nigel Grundy recounts in his book
that, during GG’s set, a sketchy looking character wandered onto the stage and
tried to join in. Two of the roadies,
Frank Covey and Mark Bradshaw, steered him offstage but three hours later,
after the band had packed up and was leaving, they encountered this same
character outside. Expecting trouble,
they were relieved to find that he had been waiting all that time just to
apologize. Grundy also reported that
Peter Frampton was in the audience this evening.

New Musical Express notice for London Speakeasy and Redcar gigs Dec. 1970
Dec. 18 Redcar,
England Redcar
Jazz Club - Coatham Hotel
Located
in the northeast of England, this was a very popular mecca for up-and-coming
rock bands in the 1960’s and 70’s. On
this occasion, there were three acts.
Opening the evening was a band called Myzophony, presumably a local
band. Giant played second, while the
headliners were Mott the Hoople. For
their participation, Giant received a fee of 60 pounds.
Dec. 19 Durham,
England Durham
University
Dec. ? Over the UK holiday period of
Christmas Eve, Christmas Day and Boxing Day, Dec. 24 through Dec. 26, BBC
competitor Radio Luxembourg included in their evening broadcasts what they
described as “Christmas messages and record dedications” by a number of musicians
and celebrities. Gentle Giant was among
this list of UK musicians whose messages were aired.
Dec. 30 London,
England Tooting
Castle
Czar
played support.

London - Tooting Castle ad Dec. 30, 1970
Through the
years, many fans of the band have memories of additional gigs from the
1970-1971 period. Some of these no
doubt did take place, but a number of them may merely be rumors. At this early stage in Giant’s career,
widespread advertising campaigns were rare with many concerts only receiving
scant mention in local newspapers, if anything at all. Therefore, written confirmation of these remembered
gigs has proven elusive. Shown below is
a list of shows that more than likely did occur, even though exact dates are
not known.
??? Schomdorf,
Germany Hammerschlag
This legendary small club near Stuttgart was known at the time for
showcasing many new British bands at the beginnings of their careers. GG was fortunate enough to be one of them,
reportedly being well received before a packed house of a good 300 people or
more. An unknown American band living in
Stuttgart at the time was at one time supposed to play support at this gig, but
they did not. Whether a different band replaced
them is still unknown. Exactly when this
gig occurred is difficult to determine, but two reliable eyewitnesses remember
it being early in Giant’s career. Even
though most of the band’s concerts in their first two years, they did venture
into Germany a few times between June 1970 and November 1971, so this show
could have been anywhere in that timeframe.
Whatever the case, admission was free, as were all concerts at this
venue. Hammerschlag was somewhat of an
underground club, hashish smokers usually being in abundance.
??? Fareham,
England Fareham Youth
Centre
Two
separate fan accounts have confirmed this gig although neither is able to
recall the exact date, other than being prior to December 1971, very possibly
late 1970. One fan recalls the band as
being eagerly anticipated by the youth of the area and very loud the night of
the show. Conversely, the other fan
believes the crowd was somewhat sparse with everyone sitting on the floor while
the band ran through its first album. At
the time, Youth Centres and Youth Clubs were common places for up-and-coming
British bands to play on their way up the ladder of success. This particular centre hosted many rock
concerts in the 1960’s and the early 1970’s.
This was a separate gig from the Fareham Technical College show of May
28, 1971 listed below.
??? Hertford,
England Balls Park
Teacher Training College
recalled
recently by a BBC presenter during an interview with Ray Shulman
??? Salisbury,
England Alex Rooms
Giant
definitely played a gig here early on, in either 1970 or 1971. Although the exact date is not known, it may
have been on a Saturday. On this day of
the week, the club regularly held an “Alex Disco” night featuring many
up-and-coming bands and big-name acts.
??? York,
England Hypnotique
This
gig, taking place in 1970 or 1971, is remembered by a fan as getting only a
mediocre response from the crowd. The
Hypnotique was a small dance club with an official capacity of about 200,
although some times more were squeezed in.
This show probably took place on a Thursday, as that is the day the club
usually hosted live bands.
??? Coventry,
England Whitley Abbey
School
It’s already known GG played here on Dec. 8, 1971, but a student
at the time remembers the band actually playing here twice in their early
days. The unknown date was probably
before the Dec. 8 show and has been described as a school dance. They were so well received on this first visit
to the school that they were specifically invited back for the second.
??? Blandford Forum, England Bryanston Public School
Blandford
Forum is a small town in Dorset in the southwest of England and it’s been
confirmed that Giant did play an early gig at this private boarding
school. Kerry Minnear grew up in Dorset. In fact, Kerry’s parents attended this show.
Listed
next are several more early GG gigs recalled by fans and concert attendees from
the 1970-1971 period, but these are much less certain and may not have happened
at all. As with the gigs listed above,
more information will hopefully be forthcoming that can shed light on what did
and did not occur in this period of the band’s history.
??? Brynmawr, Wales Semtex Club
UNCONFIRMED.
A
member of the audience became a long-term fan of the band after seeing this
show. An exact date is unknown but he
remembers it as being “just after they changed their name from Simon Dupree and
the Big Sound”, possibly placing it as a very early gig.
??? Leicester, England Il Rondo
UNCONFIRMED. A couple
fans seem to have memories of the group playing at this popular Leicester club
at least once.
??? Huddersfield,
England Builders’ Exchange
Club
UNCONFIRMED. Although a tiny club, this venue managed to book many name bands
in the early 1970’s. A fan at this show
recalls it taking place in 1970 and being “loud”.
??? Leeds,
England Allerton
Grange High School
UNCONFIRMED. One eyewitness recalls GG opening here around 1970, opening for a
young Supertramp. Specifics are unknown,
but the eyewitness enjoyed Giant’s set more than that of the headliner.
??? Loughborough,
England Loughborough University
UNCONFIRMED. A former student at the University seems to recall witnessing
Giant perform there as a substitute for Fleetwood Mac when the latter band
backed out of the gig.
??? Aberdeen,
Scotland University of
Aberdeen - Student Union
UNCONFIRMED. This is, at best, a vague recollection by a fan who may have been
in attendance.
??? Eastleigh,
England Eastleigh
Technical College
UNCONFIRMED
??? Cardiff,
Wales Llandolf
Technical College
UNCONFIRMED
1971
During
the first few months of 1971, Gentle Giant still tended to spend a lot of time
on songwriting and recording, but they were also doing more and more live
work. They stuck with the same basic
setlist of their inventive originals but, unfortunately, they had some trouble shaking
the Simon Dupree tag with the English audiences. It seemed that many in the UK press couldn’t
understand how a simple pop band would want to be taken seriously as a more
adventurous, inventive, progressive group.
One press report at the time mentioned that they planned to do a
six-week US tour later in the year, possibly with a big-name American band, but
this never came to pass. The group didn’t make it to America until the latter
part of 1972.
Jan. - Apr. Their
second album, ACQUIRING THE TASTE, was recorded at A.I.R. and Advision
Studios in London. Tony Visconti was
again on board as producer.
Jan. 5 The BBC Sounds of the Seventies
program, hosted by Mike Harding, rebroadcast Giant’s second studio session,
recorded on Dec. 1, 1970. Other acts
presenting live sessions on this episode are unknown and, in fact, Giant’s may
have been the only session included.
??? Portsmouth,
England Tricorn Club
This
is a fascinating gig recalled by Pete Cross, the Tricorn’s deejay at the time,
and corroborated by Phil Shulman in a 2009 radio interview. Apparently, a ballad singer by the name of
Richard Barnes was booked to play this club but needed a backup band. Gerry Bron, who managed both Giant and
Barnes, asked Giant if they could help by backing Barnes at the gig. They agreed and after a very short time for
rehearsal, all six members of the band appeared at the show, setting up on tiered
levels behind the singer. Interestingly,
a string section was also employed to bolster the sound and give it the right
cabaret feel for Barnes’ ballads. The
exact date of the show is unknown, except that it occurred on a Saturday. Gary, who also specifically recalls this
unusual concert, believes it to have taken place in early 1971.
??? Portsmouth,
England Tricorn Club
The
club’s deejay, Pete Cross, has also confirmed that the group played on at least
one other early occasion at this Portsmouth night spot. It was more than likely on a Tuesday, as that
was the day of the week, beginning in early 1971, that the club set aside for
presenting the more “progressive” acts.
Jan. 16 London,
England Imperial
College
shared
the bill with Affinity, a member of Affinity confirming that Giant was the
headliner

London - Imperial College ad Jan. 16, 1971
Jan. 22 London,
England Bedford
College
shared
the bill with Uriah Heep

London - Bedford College ad Jan. 22, 1971
Jan. 29 Exeter,
England Exeter
University
scheduled
to open for the Faces, but the headliners did not show up. GG played an extended set alone. A decent crowd was in attendance and seemed
to enjoy the show. Phil was recently
asked about this gig and, although he has an excellent memory, he could not
recall this one.

Exeter flyer Jan. 29, 1971
Jan. 31 Southend-on-Sea,
England Palace Theatre
Here,
Giant played in support of Uriah Heep, the gig being promoted by a gentleman
named Jon Paul whose main occupation was as the owner of a local clothing
outlet. The only substantive information
about the band’s set on this evening was that they did indeed open with Giant.
Feb. 1 Wolverhampton,
England The Catacombs
The band was again advertised as “ex-Simon Dupree”.

Wolverhampton ad
Feb. 1, 1971
Feb. 2 London,
England Lyceum
This
was a lunchtime gig billed as a “lunchtime workshop”. The venue was open from noon until 3:00 P.M.
and deejay Andy Dunkley was also on hand for the event.

London - Lyceum ad Feb. 2, 1971
Feb. 7 North
Finchley, England Torrington
a
show they played alone

Press notices for North Finchley and Winchester gigs Feb. 1971
Feb. 12 Winchester,
England King Alfred’s
College - John Stripe Theatre
This
gig was arranged by a boyhood friend of Ray Shulman’s named Rick Fudge who was attending
this teaching college at the time and who was thanked from the stage during the
band’s introduction. An existing tape of
the concert, recorded by a member of the road crew, is the earliest known live
Gentle Giant recording. It includes the
only known live recordings of Hometown Special, City Hermit, Isn't
It Quiet and Cold? and Peel Off the Paint, all of which disappeared
from their setlist shortly afterwards.
The tape remained in the possession of a band member and, for years, the
possibility was floated that the band would someday release it officially. In 2009, they finally did under the simple
title KING ALFRED’S COLLEGE. In
2019, it was remastered and again included in the massive 30-CD boxset UNBURIED
TREASURE, issued by Snapper Music.
Some band members had originally remembered this to be from the band's
fifth gig in 1970. However, they were
incorrect. On the recording, Derek
mentions that the first album had been released "seven weeks ago" and
they had just been in the studio recording Plain Truth as their first
recording for their second album. This
places the gig in the first half of February 1971. Final confirmation of the date can be found
in the Feb. 6, 1971 issue of New Musical Express which includes an
announcement that Giant were scheduled to play at “Winchester College Theatre
(February 12)”. Curiously, Derek also
mentions on the recording that Plain Truth was to be included as a bonus
track on an upcoming U.S. release of their first album, an event that did not
come to pass. On this night, the band
played to a "packed house", as Derek described it, also claiming that
to be "unusual" for the band's college gigs at the time. John Stripe Theatre was a small to medium
sized facility with a few hundred tiered seats.
As it turns out, Rick Fudge arranged a return engagement to this same
college on March 4, 1973, shortly after Phil Shulman had left the band.
Feb. 13 Ryde,
England Royal York
Hotel - 69 Club
At this club on the northern coast of the Isle of Wight, the
support act was one of the Island’s most popular acts, a band called Wilfred.

Ryde ad Feb. 13,
1971
Feb. 18 London,
England NEL
Polytechnic
This
gig was part of an “Arts Festival” held at this college that ran for a number
of days, ending on Feb. 20. On this
particular date, only Giant and Colosseum played, with Giant opening. Proceeds for all of the Arts Festival performances
went to the local Community Action charity.

London - NEL Poytechnic “Arts Festival” ad Feb. 18, 1971
Feb. 26 London,
England Horseshoe
Pub
another
lunchtime gig, this time billed as a “lunchtime live album”. The Horseshoe regularly held these events at
which bands were invited to perform live the music from their latest album. There is an unsubstantiated report that a
recording of this performance may exist.

London - Horseshoe Pub ad Feb. 26, 1971
Feb. 27 Manchester,
England Manchester
University - Owens Student Union
Giant
opened for Colosseum at this concert, as confirmed by newspaper listings and an
existing poster. The poster clearly
states that the headlining band “will be recording live tracks for their next
LP”. It’s long been known that Colosseum
did indeed record their show at Manchester University in the spring of 1971,
some of which was released on their LIVE album later in the year, but it’s
generally been assumed that this recorded gig was held on Mar. 18. However, new evidence has come to light
showing they recorded a total of five gigs as source material for their album,
including two trips to Manchester University, on both Feb. 27 and Mar. 18. They were so impressed with the venue’s
acoustics the first time around that they offered to return the second time for
free, to do further recording. Giant
appeared as openers on the Feb. 27 date and Paladin opened on Mar. 18. Nevertheless, some conflicting information
does exist. Multiple ads show that Sandy
Denny’s folk-rock group Fotheringay was at one point scheduled to play the
University’s Student Union on Feb. 27, but that group supposedly disbanded in
late 1970, so it can be assumed 1971 engagements were canceled. Other ads have Cat Stevens and Duster Bennet
sharing a bill at the University on this same date, but that was actually
scheduled at the Manchester Institute of Science and Technology, a part of the greater
University, which housed its own smaller concert hall.

Manchester poster Feb. 27, 1971
Mar. 1 London,
England City of
London Polytech
Swegas
was the headliner with Giant, Formerly Fat Harry and a band called Gehenna
opening. This event was advertised as a
ragdance, basically a student charity dance.

London - Polytech ad Mar. 1, 1971
Mar. 5 Manchester,
England Didsbury College
of Education
another
show they played alone. Interestingly, they
had already played in Manchester on Feb. 27, as listed above. The Rolling Stones were playing at
Manchester’s Free Trade Hall on this same evening, so attendance at the Giant
show was tiny, possibly under 100.

Manchester ad Mar. 5, 1971
Mar. 6 Liverpool,
England Cavern Club
Several
band members remember this early gig at this legendary club, most famous for
boosting the career of the Beatles.
However, the event was hardly a glamorous one. While the band was setting up, a live rat joined
them on stage, watching the proceedings.
When asked to describe the place, Kerry said “cramped”. As was the custom with all bands that played
at the Cavern, GG’s name was engraved into a brick on one of the building’s
walls. Opening for Giant was the band
Gass.

Liverpool - Cavern Club Mar. 6, 1971
Mar. 12 Huddersfield,
England Huddersfield
Polytechnic - Great Hall
This was a triple bill dance with GG and Bronco both opening for
the Roy Young Band. Young was well-known
in England as a former member of the popular Cliff Bennett and the Rebel
Rousers. Before that, he had done some
work with the Beatles in their Hamburg days.
Apparently, this dance was organized by the school’s Architecture
Department. It was also billed as a “war
dance” though the meaning of that unusual name is not known.


Huddersfield Mar.
12, 1971
Mar. 13 Polesworth,
England Polesworth
Memorial Hall
yet
another solo gig. Entrance to this relatively
small hall was only 50p and patrons also got to enjoy the music provided by a
well-known deejay from nearby Birmingham.
To promote this show, local advertising played on the fact that Giant
had recently participated in the “Arts Festival” in London with Colosseum, of
course referring to their Feb. 18 appearance at NEL Poytechnic.

Polesworth ad Mar. 13, 1971
Mar. 19 Blackpool,
England Empress
Ballroom - Winter Gardens
This
event was called the "Arts Ball 71".
At this show, Colosseum and Marmalade were both the featured bands while
GG and Mott the Hoople played support. A
portion of the proceeds of this concert were donated to charity. A rumor has surfaced that Giant and Mott the
Hoople may have also played together on a different occasion, with Giant in
support. However, no details at all are
known, including the year this allegedly took place.

Blackpool ad - “Arts Ball 71” Mar. 19, 1971
Mar. 20 London,
England Thames Polytechnic
- Student Union
Here
they headlined with Maya and Third World War opening. Giant apparently were booked heavily on the
English college circuit in early 1971.

London - Thames Polytechnic poster Mar. 20, 1971
Mar. 22 Bristol,
England The Old
Granary
Opening
for Giant was a band called Bucephalus.
According to a published book about this well-known club, Giant received
30 pounds payment for the evening’s performance.

Bristol ad Mar. 22, 1971
Mar. 26 Southend-on-Sea,
England Kursaal Ballroom
This
concert was organized by Southend Technical College but was held at the
Kursaal, a venue noted for its poor acoustics. At this show, also advertised as
a ragdance, Gypsy, Egg and Giant all opened for Brian Auger’s Oblivion Express. Giant is known to have played in
Southend-on-Sea three times in 1971 but this is the only confirmed show at this
particular venue. However, unconfirmed reports
point to possible additional gigs at the Kursaal in late 1970 or early
1971. According to fan recollections,
they may have played one show by themselves and may have had the band Sassafras
in support at another. There’s also a
report of a possible gig at Cliffs Hall, a different venue in town, as well as
another Southend-on-Sea gig in mid-1975, plus one in the nearby town of
Basildon. None of these reports are
supported by any hard evidence. The only
other verified Southend-on-Sea appearance was another Kursaal show on May 1,
1976.

Southend-on-Sea ad Mar. 26, 1971
??? Southampton,
England Woolston Pub
Giant
played a gig in this small pub, but the exact date is not known, other than
that it was prior to the next Southampton gig on June 18. A couple of young schoolboys convinced pub
employees to allow them entrance with a camera, saying they needed to take
photos for a school project. It’s possible
GG shared the bill with the newly formed Wild Turkey, led by ex-Jethro Tull
member Glenn Cornick, but that is not at all certain. That band formed in March so, if these two
groups did play together, the gig could not have been before that.

Southampton Early 1971
Starting
at the very end of March, Giant went on its first known organized tour of
Europe, opening for a series of several concerts in Germany for Colosseum. Colosseum was a band also managed at the time
by Gerry Bron and with which they had played a number of gigs in England. Giant found that they were somewhat better
received in continental Europe than they were back home in Great Britain. Originally, ads in December 1970 issues of Melody
Maker and New Musical Express reported that that these two bands
were also planning to play dates together in Scandinavia, Holland, Belgium,
France, Italy and Switzerland. One of these
planned French dates is known to have been advertised in a couple French
publications, as well. Colosseum did
play in other European nations in late March and into April, but a March 1971
issue of New Musical Express only mentioned the two bands playing dates
together in Germany. Billboard
originally noted that this German leg of the tour would travel to seven cities
and end on Apr. 8, but a later issue, published after the tour had concluded, claimed
only six cities were involved and the tour actually ended Apr. 9. With all the conflicting information, it
seems clear that the schedule was shifted around a bit, possibly with some
dates added or subtracted. Therefore,
the dates listed below should not be viewed as definitive.
Record
Mirror reported that Giant
purchased a brand new Cleartone P.A. system just in time for this tour.

Early ad for German tour with Colosseum Mar. - Apr. 1971
Mar. 31 Oldenburg,
Germany Weser-Ems Halle
opened
for Colosseum. A local newspaper review
was very kind to both groups and commented on how GG truly deserved their
“thunderous final applause”. During the
interval between the two bands, a girl appeared on stage dressed as Frau Holle,
a character from a German fairy tale.
According to the story, Frau Holle would tear open a pillow and the
feathers that fly out would represent snow.
At this concert, the actress did indeed tear apart a pillow and the fans
in front enjoyed being covered with the feathers. Mar. 31 is the correct date for this gig,
although a surviving ticket stub lists Wednesday, Mar. 31, 1970 as the
date. The stub is clearly wrong, as GG
had not even begun gigging in March of 1970. Besides, March 31, 1970 was actually a
Tuesday, while the same date in 1971 was indeed a Wednesday.

Oldenburg - ticket printed with wrong year Mar. 31, 1971
Apr. 1 Hamburg,
Germany Musikhalle
opened
for Colosseum at this sold-out concert. Although
Giant was mostly unknown beforehand, the Colosseum crowd was very enthusiastic
in their response to the openers and cheered for more. Colosseum granted them an extra twenty
minutes on stage, giving Giant an opening set of over an hour. The Hamburger Abendblatt stated in its
review that GG had actually stolen the show from the headliners.

Hamburg ad Apr. 1, 1971
Apr. 2 Hannover,
Germany Mulltonne
opened
for Colosseum with one account giving an attendance estimate of 650. The venue for this date has caused a bit of
confusion. However, it is now fairly
certain that the two bands appeared at this new club in Hannover. Very compelling accounts from three separate
audience members exist. One of these
fans recalls it was a very cold night and remembers the club’s distinctive
wooden bar that extended across the front of the stage, presumably to protect
the performers from falling off, and he remembers Derek holding this bar and
lifting it up during the show. He also took
some photographs of the headliner, while a friend with him actually recorded
the show, although the whereabouts of that tape are now unknown. Another fan at the show wrote a review for a
German underground music magazine called Flash, in which he listed the
exact date. The earlier confusion arose
from an ad in the German Sounds magazine listing this April 2 gig as
planned for Munsterlandhalle in Munster.
Apr. 5 Munich,
Germany Circus Krone
Building
opened
for Colosseum. This building, circular in
shape like a circus tent, housed the famous European Krone Circus during the
winter months, but hosted other acts the rest of the year. The place was packed on this night with about
3,000 listeners and, although Giant were relatively unknown at the time, they
were warmly received. On the other hand,
one reviewer who witnessed this show was quite disparaging towards Giant,
calling them “loud, bad and not substantial”.
A tape of this show is rumored to have existed at one time, but is now
presumed lost.

Munich Apr. 5, 1971
Apr. 6 Nurnberg,
Germany Meistersingerhalle
opened
for Colosseum
Apr. 7 Dusseldorf,
Germany Philipshalle
opened
for Colosseum to a half full hall, or approximately 4,500 people. The Muzik
Express gave Giant a favorable review but said the audience seemed
indifferent to them, giving only tepid applause until the end. A tape of Giant’s set exists, the only known
recording to include the original Martin Smith drum solo during Nothing At
All. During The Queen, the
band plays a snippet of the West German National Anthem. This gimmick of giving a nod to whichever
European country they were in at the time by including a bit of the local
National Anthem, became a regular occurrence at Giant’s early shows.

Dusseldorf - ticket and Muzik Express headline Apr. 7, 1971
Apr. 8 Offenbach,
Germany Stadthalle
the
last confirmed date of the tour opening for Colosseum, although an additional concert
on Apr. 9, as noted in the above-mentioned issue of Billboard, cannot be
ruled out. The venue for this gig may at
one point have been intended to be Kongresshalle in nearby Frankfurt, but it
was changed. An existing poster and a
review in the June 1971 issue of the German Sounds magazine both clearly
identify it as Offenbach, which is just outside of Frankfurt.

Offenbach poster Apr. 8, 1971
Apr. 16 West
Bromwich, England Adelphi
Ballroom
Giant participated in a triple bill at this venue outside of
Birmingham, sharing the stage with Skin Alley and Stackridge. It was advertised as an “All-Nighter” since
the gig didn’t begin until 11:30 P.M. and ran until dawn the next morning. Additional entertainment was provided by a
well-known area deejay named Erskine.

West Bromwich ad Apr. 16, 1971
Apr. 17 Basingstoke,
England Haymarket Theatre
Renaissance
headlined, sharing the evening with Giant, Journey, Llyn Tawton and a dance group
known as the Sinners. The Journey listed
here was an obscure English act, not the well-known American rock band of the
same name who formed in 1973.

Basingstoke ad Apr. 17, 1971
Apr. 18 Burslem,
England George Hotel
Apr. 28 Worcester,
England Coppertops -
Topaz Room
Coppertops was a large, ornately furnished pub and social event
center. Among other facilities, it
offered the upstairs Topaz Room, a ballroom holding 350 people. The Topaz Room would hold events ranging from
pop concerts and dances to roller skating nights and magic shows. On Wednesdays, a rock club called Jam-Jar
would bring in live progressive bands.
Amazing Blondel was originally booked for this particular Wednesday but,
at the last minute, Giant took over the slot.

Worcester ad Apr.
28, 1971
Apr. 30 Haverfordwest,
Wales Market Hall
There is conflicting
information as to the events of this evening.
There exist ads placing GG in both Haverfordwest where they were to be
supported by a Canadian band called Nine Thirty Fly, and the Faculte d’Assas in
Paris where they were to open for Colosseum.
The Paris date was advertised in the April 1971 issues of both Actuel
and Rock and Folk magazines and would have been the group’s first
appearance in France. However, even if
Colosseum did play, it’s quite unlikely Giant was there. There is, however, evidence indicating that
they did indeed play in Haverfordwest.

Conflicting
Haverfordwest and Paris ads Apr. 30,
1971
May 8 London,
England Twickenham
College - Student Union
At
this college show, they opened for Stone the Crows.

London - Twickenham College ad May 8, 1971
May 9 Redcar,
England Redcar
Jazz Club - Coatham Hotel
The opening band was named Arc.

Redcar ad May 9,
1971
May 14 Nottingham,
England Trent Polytechnic
- Student Union

Nottingham ad May 14, 1971
May 21 Hull,
England Brick
House
This small club had just opened a month earlier in an old church
building. It did not last long and was
closed by Christmas.

Hull ad May 21, 1971
May 28 Fareham,
England Fareham
Technical College
Daddy
Longlegs, an American band living in Great Britain at the time, headlined this
gig with GG and Jigsaw in support.

Fareham ticket May 28, 1971
May 30 Southend-on-Sea,
England Palace Theatre
This
was at least the third time Giant played Southend-on-Sea in 1971, this time
opening for Lindisfarne. One fan in attendance
remembers enjoying the show but recalls it as one of the loudest concerts he’d
ever been to, his ears ringing for several days afterwards. Although Melody Maker advertised this
date, the possibility had at one time been raised that the gig may have
actually been on May 29. It has since
been confirmed that the show did indeed take place on May 30, as advertised, as
this venue only held concerts on Sundays.
May 29, 1971 was a Saturday.

Southend-on-Sea ad May 30, 1971
During the month of June, Gentle Giant planned to
participate in the "Vertigo Showcase" tour. The label organized this tour of English
cities to promote some of the acts on its roster. Others intending to perform, besides Giant,
were Warhorse, Catapilla, Jimmy Campbell and May Blitz, with Graham Bond’s
Magick as the headliner. Unfortunately,
the tour was plagued with problems.
Although not booked for every stop on the tour, GG was originally booked
for quite a few, but It’s believed they only made it as far as the first gig in
London before dropping out. A reason
given in a couple newspaper accounts was that, while this tour was sponsored by
Vertigo, GG had switched labels from Vertigo to Chrysalis which is not
true. They did, however, begin using
Chrysalis’ services as a booking agency around this time, which could have been
a reason.
Meanwhile, the Vertigo tour continued to face additional
problems. Catapilla was having its own issues,
while May Blitz broke up, so these bands could not continue their
participation. As the available lineup
began to shrink, it appears the entire tour was eventually scrapped. Fortunately, Giant and some of the other acts
did manage to pick up some alternate bookings.

“Vertigo Showcase
Tour” - various dates and cancelation notice
June 1971
June 4 London,
England City
University
This
was a part of the "Vertigo Showcase" tour, possibly the first date, and
the only one for which GG’s appearance can be confirmed. Others on the bill this night were Warhorse,
Catapilla and Jimmy Campbell with Graham Bond’s Magick headlining. Giant's future drummer, John Weathers, was
playing with Graham Bond at this time and he reports that this is the gig at
which he first saw Giant perform. Giant
played a room upstairs while Graham Bond played downstairs. The members of Giant came downstairs at one point
and watched a bit of Bond’s set and, in turn, John went up to watch a bit of
theirs. The Shulman brothers already
knew John from back in their Simon Dupree days.
At that time, Simon Dupree and one of John's earlier dance bands had
often shared a bill in Wales, plus Ray and John had again crossed paths later
in Portsmouth while John was in the Eyes Of Blue.
London City University “Vertigo Showcase” gig June 4, 1971
A tour history in a published
Groundhogs source has that band on tour in the UK from June 5 through July 24,
while stating that Gentle Giant opened at most of the dates. However, this cannot be totally accurate, as
only two confirmed concerts involving both bands have so far been identified in
this time frame, the Southampton and Plymouth shows shown below. There is quite a bit of conflicting
information concerning other dates on the tour, but it remains a possibility
that Giant did indeed provide support for at least some of the remaining
Groundhogs shows in June or July. More
information is needed.

Ad for Southampton and Plymouth gigs with the Groundhogs June 1971
June 11 Newport,
Wales St. Woolos
Cathedral Hall
GIANT DID NOT PLAY. This is an interesting
date that would benefit from further research.
A fan clearly recalls going to this show to see Giant, only to be
surprised when Van der Graaf Generator played instead. The show was opened by a local Welsh band
named Greedy Fly and a member of that group recalls the exact same thing, that
Giant was originally booked to play but was replaced by Van der Graaf. The story at the time was that the hall had
been double booked with both bands showing up.
Allegedly, they flipped a coin to see who would go on and VdGG won, but
Gary feels this “coin flip” story is very unlikely, although he does remember
Giant playing a gig in Newport sometime in the early years. As of now, what exactly happened remains
unclear.
June 17 Great
Yarmouth, England Tower Ballroom
GIANT DID NOT PLAY. Part of the "Vertigo Showcase" tour, this night they had
planned to share the bill with the Graham Bond Magick, Warhorse and Jimmy
Campbell.
June 18 Southampton,
England Guildhall
opened
for the Groundhogs. A review in the Southern
Daily Echo stated the Groundhogs were able to delight the packed house but
claimed the members of Giant, although fine musicians, “do not seem to be able to
play as one.” A few photos were taken of
both bands by the same local schoolboys who had taken photos at Southampton’s
Woolston Pub gig earlier in the year. Some of these photos were indeed
displayed afterwards in the halls of their school.

Southampton June 18, 1971
June 19 Plymouth,
England Guildhall
Again,
they opened for the Groundhogs. The
Guidhall was a majestic looking building with a high ceiling, wood paneling and
stained-glass windows along the sides.
Crimson curtains hung behind the stage.
At the start of the show, Derek commented on the imposing nature of the
hall and wondered aloud if the band could live up to their surroundings. They then launched into their opening tune,
believed to be Giant.
June 22 Oxford,
England Town Hall
GIANT DID NOT PLAY. Part of the
"Vertigo Showcase" tour, the band again planned to shere the bill
with the Graham Bond Magick, Warhorse and Jimmy Campbell.
June 24 Cambridge,
England Dorothy Ballroom
GIANT DID NOT PLAY. Once again, they
planned to share the bill with the Graham Bond Magick, Warhorse and Jimmy
Campbell on this date of the "Vertigo Showcase" tour.

Ad for canceled Cambridge show June 24, 1971
June ? The July 3, 1971 issue of Melody
Maker printed an apology from the band Black Widow for having recently
missed three UK concert dates due to illness in the band. They also thanked Gentle Giant for taking
their place at the three gigs. At the time,
both bands used Chrysalis Agency for concert booking. Although the three cities involved are listed
in the apology notice, only one exact date and venue have been confirmed so
far.

Melody Maker notice - subbing for Black Widow June 1971
June 25 Southall,
England Farx Club
This
was one of the three gigs at which GG substituted for Black Widow, as described
above.
June ? St.
Albans, England
GG
substituted for Black Widow.
June ? Llanelli,
Wales
GG
substituted for Black Widow.
July 2 Eastbourn,
England Winter Gardens
The
only thing known about this show so far is that the lights were handled by an
outfit called Cerebrum Lights.
July 3 Widnes,
England Queen's
Hall
Widnes
is a small town in the north of England where very few top entertainers ever
performed prior to this gig. An obvious
exception was the Beatles, who played this very venue in 1963. A grassroots group led by a local young music
fan, in an attempt to bring more culture to the area, organized this July 3 event. Originally, they wanted Pink Floyd as
headliners but they could not afford the required fee of 800 pounds. They were able to book Giant for 65 pounds. A band representative was quoted in the local
newspaper as saying GG agreed to a much lower fee than usual because they
“appreciated the situation in Widnes”.
Queen’s Hall was the biggest venue in town, seating around 800. Over 400 tickets were sold for this show,
which may not seem like many, but the organizers were very pleased. Opening the show was a London band called
Alcestis, followed by a local folk duo named Schunge, then two more local
bands, Oblet playing third and Heavy Light fourth. By the time Giant took the stage, all in the
audience were reportedly having a wonderful time and they were quite
disappointed when the band only did one encore.
Apparently, Isn’t It Quiet and Cold? was included in Giant’s set,
although the review in a local newspaper mistakenly listed the song as being
titled Isn’t It Nice? It’s interesting
to note that, up to this point in Giant’s career, almost all of their British
gigs were held in the southern portions of England, this being one of the few
times they ventured up north. To help
whip up support for this gig, one member of the organizing team took to the
streets on his bicycle wearing a sign advertising the event. Another friend named Paul Lewis took photos
of this unusual, homespun form of promotion.

Widnes July 3, 1971
July 4 Dunfermline,
Scotland Kinema Ballroom
Playing
support was the Change, one of the venue’s resident bands of 1971. One local paper mistakenly advertised the
band as “Gentle Gent”.
July 5 Skewen,
Wales Skewen RFC
This gig was held at the local rugby football club in Skewen, just
outside of Neath.
July 16 ACQUIRING THE TASTE was
released in England.
July 16 Dudley,
England J.B.s
Social Club
CANCELED. Giant
was booked and advertised to play at this club outside of Birmingham, but ended
up being replaced by Gary Wright.
July 17 Boston,
England Gliderdrome
- Starlight Room
Here,
the band opened for Wild Turkey. Also on
hand was local deejay Ricky Tee. In a
couple local newspaper ads, Giant yet again was described as “ex-Simon Dupree”,
long after such a description should have been necessary.

Boston, UK ad July 17, 1971
July 21 Bathampton,
England The Keel Club
This club staged rock concerts every Wednesday at the time and
July 21 was Giant’s turn.
Starting
in late July, the band found themselves back in Europe doing concerts and
promotional appearances. The original
itinerary had them in Europe from July 26 through Aug. 2, but some evidence
indicates they may have ended up staying longer than just one week. There were also possible Scandinavian
promotional dates in August, but nothing is known about any of these. According to a notice in New Musical
Express, this visit was to include several radio and television appearances
in Belgium, France, Holland, Germany and Australia. The group definitely did not go to Australia
and that continent’s mention was most likely a typo, the ad probably meaning to
list Austria. Radio broadcasts of some
sort, although unconfirmed, were certainly a possibility but, more than likely,
there were no television appearances.
Another
report in New Musical Express stated that Giant was set to record
incidental music beginning in London in late July for a movie by Italian
filmmaker Dario Argento. The film may
have been Four Flies in Grey Velvet and recording was supposedly set to
begin on July 27. However, this
conflicts with their scheduled time in Europe.
No GG music ever appeared in any Argento movie and it's relatively
certain that no recording session ever took place for that purpose.

New Musical Express notice about alleged movie score July, 1971
The July 24, 1971 issue of
the American music trade magazine Billboard carried a news item about an
attempt by Chrysalis Agency, who were handling booking for Giant at the time,
to create a British equivalent of the college coffeehouse circuit, then in
vogue in America. Chrysalis hoped to use
this approach to give some of the newer bands they represented better access to
British universities. Included in their
offerings was a package deal that included Gentle Giant, Black Widow and
Freedom, all for a negotiable price of, when converted into American currency,
between 420 and 600 dollars. However, no
college performances where these three bands shared the same bill are known to
have taken place. Additionally, Giant
had already enjoyed fairly good exposure on UK campuses, even prior to this new
initiative.
July ? There has been great confusion
concerning the US release of the ACQUIRING THE TASTE album. It was definitely scheduled to be released in
the United States in late July of 1971 by Mercury Records, an American label
who had distribution deals with Philips, as indicated by announcements in Variety,
Billboard and Cash Box. In
fact, by August, Billboard and Rolling Stone were already describing
it as a new US release. However, no definitive
evidence had ever been found that such a release actually occurred. Finally, an interview from November 1974 has
surfaced which sheds light on this mystery.
In the interview, band members revealed that Mercury did release the
album in 1971, but only in a limited run of 500 promotional copies for critics
and the press only. There was no
commercial release to the public. The
plan was for Mercury to issue a more widespread public re-release of the album
in the future, after the band had established themselves in America. That happened shortly after the 1974 interview
took place.

Billboard article about the US release of ACQUIRING THE TASTE July 1971
Manager
Gerry Bron was not sold on the direction Giant took on their second album. An exact date is not known, but at some point
after the album’s release, he decided to part ways with the band. It was a friendly enough split but Giant was
left in need of new management. Due to a
weird set of circumstances, the Shulmans had developed an association with
certain members of organized crime during their Simon Dupree days and it was
these same underworld figures who came to the rescue now. They put the band in touch with Worldwide
Artistes Management, a company with its own mobster connections. At WWA, whose biggest client was Black
Sabbath, they were now managed by the rather unscrupulous father and son team
of Patrick Meehan Sr. and Jr. For their recordings,
however, Giant remained with Vertigo.
Aug. 13 Barnstaple,
England Queen’s Hall
Held in a historic area theatre and organized by Magic Circus
Productions, this show also featured the deejay services of Mike Stainer.

Barnstaple Aug.
13, 1971
Aug. 21 London,
England The Temple
second
on the bill, preceded by Flying Hatband and followed by Black Widow

London - Temple ad Aug. 21, 1971
Aug. 22 Stoke-on-Trent,
England Trentham Gardens
The
band played in support of Marc Bolan’s T Rex who, at the time, were one of the
hottest properties in British music. As
expected, the crowd of 2,500 fans was extremely excited and enthusiastic about
seeing their glam rock heroes. Still,
Phil and Derek have both remarked that they were impressed with how well
behaved and accepting the mostly young, heavily female audience was while Giant
was on stage. One person in attendance
even claims Giant was enthusiastically called out for more than one
encore. Interestingly, about a year
later, Derek referred back to this show in an interview and claimed GG “went
down a storm” while T Rex did not do as well.
A couple songs from T. Rex’s set have been released on a live compilation
album where they bear the date of Aug. 26.
However, a review published in the next day’s Evening Sentinel
confirms the Aug. 22 date. The members
of Giant had already met Bolan in 1970 and had an opportunity to watch him
recording in the studio. At the time,
Derek and Phil were not particularly impressed with his methods or the persona
he projected.
Stoke-on-Trent ad and ticket - T. Rex gig Aug. 22, 1971
Aug. 27 Birmingham,
England Kinetic Circus
GG opened for Black Widow.

Birmingham ad Aug. 27, 1971
Aug. 28 Clacton-on-Sea,
England
GIANT DID NOT PLAY. GG was
originally booked to appear at the "Weeley Festival" along with many
other groups and their name appeared in the festival’s early
advertisements. However, they canceled for
some reason and were removed from later ads.
This major rock music festival was held on a 200-acre wooded site five
miles from the sea. Headlined by T Rex
and the Faces, it ran from the evening of Aug. 27 through to Aug. 29, with
Giant originally scheduled for Aug. 28.
Clacton-on-Sea - “Weeley Festival” - original ad with GG and revised ad Aug. 28, 1971
Although,
as stated above, most of Giant’s concerts were in England in 1971, the band took
a short European trip around this time.
In the press, the timeframe listed for this tour was late August through
September 8. Included were the two
festival dates listed below, but what other countries may have been visited is
not known.
Sep. 4 Speyer,
Germany Rheinhalbinsel
The
band’s European gigs included this appearance at a two-day festival,
appropriately nicknamed the “2-Tage Festival” on Sept. 4 and 5. Interestingly, it appears that this event, which
showcased British bands for a European audience, ran in both Speyer, Germany
and Vienna, Austria at the same time and featured the same bands. The Speyer portion of the festival was called
the "British Rock Meeting" while the Vienna portion was called the
“Sensational British Superstar Festival”.
Half the bands played in Speyer on Sept. 4 while the other half of the
bands played in Vienna on the same date.
Then on Sept. 5, all the bands simply switched locations. For instance, it is known that Black Sabbath
played in Speyer on Sept. 4 and again in Vienna on Sept. 5, while Deep Purple,
a late substitute for Rod Stewart and the Faces, followed the opposite
schedule, both bands presumably headlining in their respective cities. Like Sabbath, Giant performed in Speyer on
Sept. 4 and Vienna on Sept. 5. Many
other British acts also participated over the two days, such as Fleetwood Mac,
Curved Air and Rory Gallagher. One newspaper
review revealed that Giant played last in Speyer while entertaining the crowd
with ”some really far-out mutations on the violin”. Organizers expected attendance of 30,000 but
the two Speyer shows were reported to have attracted as many as 45,000
fans. Actually, the Speyer portion of
the festival was originally scheduled to be held at the Amphietheatre
Thingstatte in Heidelberg, Germany before being moved to Speyer. Early posters and tickets were, in fact,
labeled Heidelberg. The crowd was reported
to be fairly well-behaved, even though the promoters made the questionable
decision to use a “student security guard” to prevent disturbances.
Speyer “2-Tage Festival” - ticket with original city and ad with corrected city Sep. 4, 1971
Sep. 5 Vienna,
Austria Stadthalle
Here,
Giant played at the ”Sensational British Superstar Festival” which was the
second night of the “2-Tage Festival” described in the above listing. As on the previous night, Black Sabbath headlined
and a number of other British bands participated. After this day’s events, Gentle Giant, the
Groundhogs and others of the day’s performers were sharing a plane out of
Vienna. After taking off, three of the
plane’s four engines failed and a bumpy and terrifying ride ensued while the
pilot wrestled with the controls.
Fortunately, he was able to bring the plane back to earth, avoiding a
tragic occurrence. After a delay, the
plane was deemed safe and took off again to complete its flight. However, this time, only Giant and Rory
Gallagher were aboard, everyone else having found alternate
transportation. Discussing this in a
1972 interview in Sounds, Tony McPhee of the Groundhogs revealed that
his fear of flying brought on by this mishap contributed to that band’s
decision to cancel an upcoming American tour.
A tape exists of GG’s performance here.

Vienna - “2-Tage Festival” poster Sep. 5, 1971
Sep. 10 Buxton,
England Pavillion
Gardens
On
this particularly frigid night, the band was part of the "Sound 71 Blues
and Progressive Festival", an event described as an "All-Night Music
Festival". The headliners were the
Groundhogs and the Edgar Broughton Band, while the opening act was a blues-rock
group called Brewers Droop. Other bands
appearing included East of Eden, Paladin and Juicy Lucy. One eyewitness was particularly impressed
with the band’s Park amplifiers in distinctive green cabinets, which were
fairly new at the time. The festival was
scheduled to run from 8:30 P.M. until 7:00 A.M. the next day, with Giant
reportedly taking the stage at around 4:00 A.M.
The BBC’s Pete Drummond provided deejay services for the event. The festival took place in two separate halls
inside the Pavillion Gardens. A number
of attendees have commented on the excessively crowded conditions, to the point
of being dangerous. According to the Nottingham
Evening Post, about 5,000 fans were crammed in, at which time the doors were
closed, leaving a couple hundred still outside, including some ticket
holders. A number of Hells’ Angels
bikers then tried to break their way in, resulting in some violent skirmishing
with security personnel. Overall, there
were seven arrests. Even so, one area
policeman commented that there was surprisingly little trouble, considering the
size of the crowd. It’s believed GG
started their set with the song Giant.

Buxton ad Sep. 10, 1971
Sep. 11 London,
England Queen
Elizabeth Hall
Here, the group got to play a more
prestigious venue. They played two shows
here on this day, opening for the Groundhogs.

London - Queen Elizabeth Hall ad Sep. 11, 1971
Sep. 12 Croydon,
England Fox at
Greyhound
Curved
Air was originally scheduled to play here, but they canceled. The Edgar Broughton Band, who arrived late,
was brought in as a replacement with GG as support.

Croydon flyer - with handwritten corrections Sep. 12, 1971
Sep. 27 Chester,
England Quaintways
This
concert was part of a month-long event hosted at this venue. It was called the “September Wall City
Festival” and, on this particular night, Giant opened for the band If. Quantways was a small club was located above
a restaurant/delicatessen and attendance on this evening has been estimated at
between 100 and 150. A flyer from this
festival with Martin Smith’s autograph exists, making this the last confirmed
gig known to include Martin as the drummer.
He left shortly after, as explained below.
Chester flyers - “September Wall City Festival” Sep. 27, 1971
Giant
endured a big change in early October of 1971.
Drummer Martin Smith left, mainly because the band had lost faith in his
musical abilities, but also due to growing personal differences between him,
Phil and Gary. He was also interested in
pursuing a career as an antique dealer anyway.
It’s believed that after he left, he continued playing in a Latin jazz
combo for a while. He was replaced on the
GG drum stool by 18-year-old Malcolm Mortimore, who went through a two-step
audition process. A fairly large number
of candidates were heard over two days in London, Malcolm being the final
drummer to appear on the second day.
Next, he and just a few others were called to Portsmouth for a lengthier
second audition. Then, after being
informed he had been selected, he moved to Portsmouth and had about a week to
learn the band's live set before hitting the stage with them. The exact date of Martin’s final gig is not
known, but it had to be Sept. 27, as listed above, or immediately after. Likewise, Malcolm’s very first gig with the
band has not yet been determined, although the best evidence so far points to
the second week of October. Whenever and
wherever his first gig was, he recalls Phil complimenting him on doing a nice
job while bemoaning the fact that the rest of the guys had an off night. Malcolm has also confirmed that upon joining
the band, he signed with WWA, confirming that it happened after the departure
of Gerry Bron, which was a bit earlier in the year.
In
the latter part of 1971, Giant continued to gig fairly steadily in the UK,
mostly at clubs and colleges. This gave
their new drummer ample opportunity to gain valuable playing experience in a
wide variety of cities and venues and with a number of other bands. This includes sharing a bill with Vinegar
Joe, an early gig of Malcolm’s that he specifically remembers but for which he recalls
no other details. The time when Malcolm
joined may also be the time when Isn't It Quiet and Cold? and all the
non-album songs disappeared from the set.
TYPICAL SETLIST
(Late 1971)
Giant
Funny Ways
Alucard
Nothing at All - This song now featured Malcolm’s drum
solo, as it had previously included Martin’s.
Kerry and Ray again joined in.
Plain Truth
The Queen
Why Not?
- This number may have become less frequent as time went on.
Even though the band now had two albums worth of material
to choose from, in a live setting they still concentrated mostly on songs from
their first album. It is unlikely any
other material from their second album, other than Plain Truth, ever
became a regular part of the group’s setlists at this time, although Pantagruel’s
Nativity was known to have been played perhaps a couple of times and at
least one other song, Wreck, was rehearsed but never performed. In fact, it seems that the other songs from ACQUIRING
THE TASTE remained unperformed for the remainder of the band's career.
Oct. 7 Manchester,
England Rafters
GIANT DID NOT PLAY. Giant
was booked to perform at this club along with the band Emily. Early advertising reflected this but,
beginning the day before the show, the Manchester Evening News published
ads showing a revised lineup. Emily was
still set to appear but Giant had been replaced by Assagai. It’s possible that this show was canceled while
the band was still settling matters with Malcolm as their new drummer, but that
is not confirmed.

Manchester ads - GG replaced on the bill Oct. 7, 1971
Oct. 8 Romford,
England Albemarle
Youth Club
UNCONFIRMED. There is no hard evidence that
this gig was canceled but if the band was still rehearsing with their new
drummer, it may have been, like happened the previous night. They possibly had been booked to play without
a support act.

Romford ad Oct. 8, 1971
Oct. 9 Isleworth,
England Borough Road
College
This
concert did go ahead as scheduled.
Malcolm does recall a very early college gig in the south of England
with Supertramp, when he shared an enjoyable conversation with that band’s
drummer. There were three bands on the
bill originally, with the order more than likely intended to be Supertramp,
Gentle Giant and headliners Black Widow.
However, it seems that Black Widow canceled, due to an illness in their
ranks. The other two bands carried on, Giant
now cast as the surprise headliners. In
August, New Musical Express announced that GG was attempting to put
together a series of British college and university gigs for the months of
October and November. This Islewoth
concert was one of the earliest confirmed dates to come from that
initiative. One person in the audience
only remembers that GG’s music was complex, there were many instrument changes,
and it was “very dark” in the venue.

Isleworth ad Oct. 9, 1971
Oct. 10 Gravesend,
England New Lord's Club
- Civic Centre
At
this show, they played in support of the Mick Abrahams Band. Malcolm does recall playing this very early
gig in Gravesend.

Gravesend ad Oct. 10, 1971
An
August issue of New Musical Express included an article about Giant
planning to appear on two 45-minute European television programs in
October. In both shows, they were to
co-star with the band Freedom, with whom they shared management. They were to fly to Amsterdam, Holland on October
14 to participate in the first program, while the second was supposed to be a
live broadcast in Brussels, Belgium on October 16. The article went on to state that their
manager was in the process of negotiating for a similar TV appearance in Sweden
in mid-November. However, as was the
case with the intended TV appearances at the end of July, it seems very likely
that none of these plans came to fruition.
The Brussels show, in particular, can be definitely discounted since the
band played in Southampton on that night, as listed below. It’s generally believed GG did not appear on
television at all until 1972.
Oct. 15 Swansea,
Wales Laughor
Welfare Hall
UNCONFIRMED. This
was advertised as a triple bill with Wild Turkey, Writing on the Wall and
Gentle Giant. However, Malcolm
remembers an early Welsh gig which the band decided not to play after driving
to the Hall. He says the Shulmans
decided it would be a “waste of time”, so they turned around and went home.
Although it’s possible this may not be the gig in question, it probably is, as
Malcolm does recall Wild Turkey being on the same bill.

Ad for unconfirmed Swansea
concert Oct. 15, 1971
Oct. 16 Southampton,
England Southampton
University
Giant
shared the bill with Jude, Robin Trower’s post-Procol Harum band. There were indications that GG opened the
show, but an extant ticket stub proves they actually headlined. Jude was a short-lived outfit that Trower had
just put together with, among others, Clive Bunker, formerly of Jethro
Tull. In fact, at this gig, the lineup
had not even settled on a final name yet, the ticket simply referring to them
as the Trower/Bunker Band. Gary Green
remembers doing the rarely performed song Pantagruel's Nativity once
during a show in Southampton after the second album was released. It may have been this show, but it may have
been a different show in Southampton, a city where they played a number of
times in their early years.

Southampton
ticket Oct. 16, 1971
Oct.
18 Southampton, England Guildhall
GIANT DID NOT PLAY. On Oct. 18, the Who began their Fall 1971 UK tour and, on the
surface, it appears that Gentle Giant came close to securing what would have
rightly been described as a dream gig. A
couple tickets have surfaced which list Giant as the scheduled opening act, but
it is certain that they did not play, the band Quiver opening instead. In fact, an article in New Musical Express
stated that Quiver had been selected to serve as support for the entire
tour. Interestingly, both tickets appear
to have Giant’s name crossed out in red marker, prior to even being sold. If Giant had at one time been intended as the
opener, that would’ve been quite an achievement, yet the band members have no
memory of ever being considered on a bill with the Who. Derek postulates that early discussions could
theoretically have taken place between representatives of the two bands but, if
so, they never reached the stage where the band members were even aware of
it. This is pure conjecture and still
does not explain how the band’s name appeared on the tickets. The whole affair could have simply been some
sort of mix-up by the promotor or the booking agency, but it is impossible to
determine exactly what happened.
Whatever the case, Giant did not play at this show and the opportunity
to appear in such a prestigious, high-profile gig was lost. At least, they had just played in Southampton
two days earlier, as noted above.

Southampton
- ticket with GG’s name crossed out
Oct. 18, 1971
Oct. 21 Chatham,
England Central Hall
shared
a bill with Chicken Shack. In the early
1970’s, a well-known concert promoter and deejay in southeast England named
Mick Clark, using the professional name of Madhatter, would organize musical
events in various venues around the area.
On these occasions, the venue would use the name Madhatter Club. Sometimes, he would provide the deejay services
himself, and other times, he would book live bands. This gig in Central Hall was one of those
live events. Sadly, Ray had his Hagstrom
guitar stolen at this concert.
Chatham Oct. 21, 1971
Oct. 23 London,
England London
School of Economics
opened
for the Groundhogs with Australian band Hot Cottage also on the bill. Malcolm’s presence can be definitively
confirmed for this concert. He already
knew his wife Lynn by that point and she was in the audience.
London School of Economics ad and ticket Oct. 23, 1971
Another trip onto the European continent was at one time
planned and advertised for late October through mid-November. However,
it is very unlikely that any of these concerts took place, as no hard evidence has been found. Besides,
some of the proposed dates conflicted with British dates listed below. The
original European itinerary called for the band to be in Denmark and Sweden from
Oct. 27 to Nov. 3, followed by Madrid, Spain on Nov. 7, and France from Nov. 9
to Nov. 11. A notice in an August Dutch
newspaper indicated that GG also intended to visit the Netherlands during
November but, again, no confirmation has been found.
Oct. 30 Weston-super-Mare,
England Winter Gardens
opened
for Black Widow

Weston-super-Mare ad Oct. 30, 1971
Nov. 5 London,
England Harrow
Technical College
shared
the bill with Callum Bryce
Nov. 6 Bromsgrove,
England Shenstone College
A
few months earlier, advertisements appeared showing GG planned to play at the
University of Birmingham on this date.
However, the ads soon disappeared and it turned out they played at
Shenstone College instead, where they played second on a bill after Roger
Ruskin Spear and before headliners Renaissance.
As it happens, this college was only ten miles away from the University
of Birmingham. Although no musician can
recall every concert he ever played, this is another early GG gig that Malcolm does
recall.

Bromsgrove - handwritten ticket Nov. 6, 1971
Nov. 13 Warrington,
England Padgate College

Warrington contract
Nov. 13, 1971
Nov. 18 Southall,
England Underworld
a
show they played alone

Southall ad Nov. 18, 1971
Nov. ? An article in Melody Maker
indicated that Giant spent a few more days performing somewhere in Germany
sometime in late November, possibly beginning on Nov. 20, but few details are
known about these concerts. However, it is
known that the band was temporarily stranded in a snowstorm in Belgium on the
way to Germany. After finally arriving
in Germany, Malcolm recalls playing one or two club dates, including the
Frankfurt gig listed below and possibly one in Berlin. The snowstorm also contributed to their being
late arriving back into England afterwards.
Nov. 23 Frankfurt,
Germany Zoom Club
A couple fans recall attending this show with one describing the club
as a “psychedelic space” with someone running a light show, as would be
appropriate in such a place. He also
recalls a relatively small crowd on this evening. Exact confirmation of the date comes from a
poster in the possession of the Frankfurt City Archives.
Nov. 24 London,
England Marquee
Club
CANCELED. This was the last time Giant was booked
to perform at the Marquee and would have been the only time with Malcolm. It was scheduled as one in a series of Wednesday
night free concerts held at the venue.
However, the show was canceled, due to the snowstorm that caused havoc
on their swing into Germany. They had
been scheduled to appear with the band Freedom.
Shortly afterward, the band took out an ad in Melody Maker to
apologize for their failure to appear.

London - canceled Marquee Club show Nov. 24, 1971
Nov. 26 Liverpool,
England Highfield
Comprehensive School
The
band opened for Black Widow and was reportedly very well received. The place was packed, as this was the first
rock concert ever presented at this particular school. Of course, the fact that Black Widow was
known to often hold a mock sacrifice of a nude girl in their set could also
have contributed to the large number of hormonal youths in the audience. However, since it was mostly a student
population in the hall, that portion of the show was left out on this
evening. Both bands shared the same
management, so often played together, Giant always in the support slot. One member of Black Widow has stated that
Giant were “full of themselves” and put out by having to open for them. He claims they “did not speak to us and were
not at all friendly”.
Nov. 27 Narberth,
Wales Queen’s
Hall
This gig was billed as a “Grand Dance”. An early ad advertised the opening act as a
band called Karakorum but, by showtime, it was listed as the band
Tapestry. At the time, rock concerts
with up-and-coming bands were staged here as fundraising events for the local
Football Club. A couple spectators have
confirmed this gig, one remembering dancing on stage during Ray's Plain
Truth violin solo.

Narberth ad Nov. 27, 1971
Dec. 2 Leek,
England Samantha’s
Club

Leek ads Dec. 2, 1971
Dec. 3 Braintree,
England Two J's Club
This
club was located in the Horn Hotel. They
shared the bill with Copperfield. At one
point during GG’s set, Phil got a little upset with some spectators in the
front who were being too rowdy during a quiet section of a song. Never one to be shy in these situations, he
sternly suggested the offending audience members go outside and listen to the
noise out there instead. In August and
September, it had been advertised in the Netherlands that GG would open for
Black Sabbath at De Doelen in Rotterdam on this date. However, that did not happen. It’s believed a Dutch band called Earth and Fire
took over Sabbath’s support slot in Rotterdam.

Braintree ad Dec. 3, 1971
Dec. 4 Amsterdam,
Netherlands Concertgebouw
GIANT DID NOT PLAY. As had
happened on the previous night, GG had originally been advertised as opening
for Black Sabbath at another Dutch gig.
They were replaced on Sabbath’s bill by Earth and Fire.

Notice for canceled Dutch gigs with Black Sabbath Dec. 1971
Dec. 7 Bolton,
England Bolton
Casino Club
This was the annual ball sponsored by the Bolton School of
Art. It was held at a nearby venue
which, although named the Casino Club, was at the time less known for its
gaming rooms and more as a dance hall and concert venue. Giant did play this gig, but who exactly
served as support is far from clear.
Advertising had singer/songwriter/guitarist Michael Chapman listed as
the opening act, but a report from someone who was present gives conflicting
information. This report has folk guitarist/comedian
Mike Harding playing first, followed by a band called Embryo, presumably a
lesser-known UK band, as opposed to the better-known German band of the same
name. A member of Embryo claims his
group played horribly, but were consoled afterwards by kind words from some of
the members of Giant. GG themselves
closed the show in the headlining slot.
It’s certainly possible the original bill may have changed, but further
information would be needed to clarify exactly what happened. Whatever the case, at one point during
Giant’s set, an employee of the venue came up on stage and asked the band to
turn the volume down because the "neighbors are complaining." The band laughed and carried on without
changing anything.
Dec. 8 Coventry,
England Whitley Abbey
School
shared
the evening with a local up-and-coming band called Dando Shaft. Giant actually played this school twice in
their early days. The first was at a school
dance where they were well-received, and this resulted in the band being
invited back for a second appearance.
Chances are this Dec. 8 gig, which was advertised in Melody Maker,
was the second one. The date of the
other gig is not known and the exact timeline of Giant at Whitley Abbey School
is still a matter of some conjecture.

Press notice for Coventry show Dec. 8, 1971
Dec. 12 They recorded their third BBC studio session,
the only one done with Malcolm, at London's Transcription Service Studio
T1. They recorded Alucard, Plain
Truth, Giant and Funny Ways.
The first three were broadcast on Jan. 7, 1972, while Funny Ways
was intended to be included in a re-broadcast on Feb. 4, 1972. As it turns out, it was not. Although the BBC’s master tape of this
session in missing, a recording of the Jan. 7 broadcast, made off the radio,
has recently surfaced. The recording of Funny
Ways is still missing.
Dec, 16 Norwich,
England Norwich City
College
Opening for Giant were B.B. Blunder and Barabbas at this Christmas
Dance. B.B. Blunder was an offshoot of
the Blossom Toes while Barabbas was a popular local band.

Norwich poster
Dec. 16, 1971
Dec. 17 Dartford,
England Northwest
Kent College of Technology
This
was billed as a "Giant Christmas Party". They shared the stage with Roger Ruskin Spear
and his Giant Kinetic Wardrobe, an interestingly named act put together by the
ex-Bonzo Dog Band member. Interestingly,
a stripper was also on the bill.

Dartford ad Dec. 17, 1971
Dec. ? Giant's third album, THREE FRIENDS,
was recorded in London, mostly at Advision Studios, but also at Command
Studios. It was the only one to feature
Malcolm on drums. During the recording
of this album, the band’s Ford Zodiac, with Ray at the wheel, got in a bad
traffic accident. Near Guildford, on the
way to London, the car crashed through a hedge and stopped just a few feet before
falling down a steep incline.
Fortunately, there were no real injuries and the band was able to
continue on.
Go on
to Part
Two
Return
home to Gentle
Giant Tour History